Frictionless international film and series production is at the top of agendas in Central and Eastern Europe these days, with increasingly competitive territories adopting policy tweaks and launching new film promotion bodies.
The freshly minted Slovak Film Commission is looking to catch up quick to its longstanding Czech counterpart, the Czech Film Commission, with a high profile at major fests, partnerships with Western European counterparts and streamlined services for foreign producers now on the table, says Zuzana Bielikova, who heads the org.
“We would like to make obtaining shooting permits in locations easier and eventually handle the formalities,” says Bielikova, who has spent years at one of Prague’s topline production companies, Negativ. In that capacity she has been part of the team behind critical successes such as “Alois Nebel” and the recent work of Czech docu legend Helena Trestikova.
Now, says Bielikova, helping her native country to win more...
The freshly minted Slovak Film Commission is looking to catch up quick to its longstanding Czech counterpart, the Czech Film Commission, with a high profile at major fests, partnerships with Western European counterparts and streamlined services for foreign producers now on the table, says Zuzana Bielikova, who heads the org.
“We would like to make obtaining shooting permits in locations easier and eventually handle the formalities,” says Bielikova, who has spent years at one of Prague’s topline production companies, Negativ. In that capacity she has been part of the team behind critical successes such as “Alois Nebel” and the recent work of Czech docu legend Helena Trestikova.
Now, says Bielikova, helping her native country to win more...
- 2/9/2019
- by Will Tizard
- Variety Film + TV
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