Norman NormanThe First Look Festival at the Museum of the Moving Image, located in the New York borough of Queens, has historically showcased a brave program that puts attention primarily on experimental, outsider and newcomer art. For example, last year it showed Let the Summer Never Come Again, a 202-minute long Georgian film shot on a first generation cellphone camera, and Colo, Teresa Villaverde’s latest exploration on the Portuguese economic and moral crisis, alongside Prototype, Blake William’s truly experimental 3D feature debut. Now in its 8th edition, First Look has managed to double its bet in terms of discovering new alleyways in which to find where the cinema of the future might come from.This is clear from the decisions made by Eric Hynes, MoMI curator, and David Schwartz, the festival founder, as the only films that might come from established filmmakers are the ones that are on...
- 1/11/2019
- MUBI
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