There’s no denying this one: Lionsgate’s film division had a dismal year at the box office, topping out at $388 million — the company’s worst domestic box office performance since 2011.
The brightest spots on Lionsgate’s slate were two modestly budgeted films with female leads: Paul Feig’s thriller “A Simple Favor,” which earned $53.5 million domestically, and Anna Faris’s remake of “Overboard,” released under the Pantelion Films banner to just $50.3 million.
The Sundance acquisition “Blindspotting” garnered some major critical acclaim, but little else. And the company took big losses on the Mila Kunis-Kate McKinnon comedy “The Spy Who Dumped Me” and the sci-fi film “Kin.”
Lionsgate also missed the bullseye with one of its priciest bets: the $100 million-budgeted “Robin Hood,” which has managed just over $30 million so far at the domestic box office. The fantasy adventure starring Taron Egerton has also underperformed overseas, though it still awaits a release in China.
The brightest spots on Lionsgate’s slate were two modestly budgeted films with female leads: Paul Feig’s thriller “A Simple Favor,” which earned $53.5 million domestically, and Anna Faris’s remake of “Overboard,” released under the Pantelion Films banner to just $50.3 million.
The Sundance acquisition “Blindspotting” garnered some major critical acclaim, but little else. And the company took big losses on the Mila Kunis-Kate McKinnon comedy “The Spy Who Dumped Me” and the sci-fi film “Kin.”
Lionsgate also missed the bullseye with one of its priciest bets: the $100 million-budgeted “Robin Hood,” which has managed just over $30 million so far at the domestic box office. The fantasy adventure starring Taron Egerton has also underperformed overseas, though it still awaits a release in China.
- 12/26/2018
- by Brian Welk
- The Wrap
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