This season’s period costume design was marked by a striking blend of authenticity and artistry in such Oscar contenders as “Black Panther,” “The Favourite,” “Mary Queen of Scots,” “Colette,” and “Outlaw King.”
And the secret weapons were denim and wool, the Pan-African flag, and going black-and-white. How’s that for evoking a sense of modernism?
Read More: ‘Black Panther’: Building Wakanda on Ryan Coogler’s Vision of Identity and Unity
Ruth Carter’s colorful costume designs for “Black Panther” represented a diverse celebration of African cultures — past and present — and elevated the Marvel superhero genre to a new aesthetic realm per director Ryan Coogler’s mandate. She mixed a panoply of tribal influences along with Afropunk for the fictional Wakanda in making a beautiful and positive cultural statement about Africa. And in keeping with the indigenous direction, she stayed true to the authenticity of fabrics in adapting them for a superhero aura.
And the secret weapons were denim and wool, the Pan-African flag, and going black-and-white. How’s that for evoking a sense of modernism?
Read More: ‘Black Panther’: Building Wakanda on Ryan Coogler’s Vision of Identity and Unity
Ruth Carter’s colorful costume designs for “Black Panther” represented a diverse celebration of African cultures — past and present — and elevated the Marvel superhero genre to a new aesthetic realm per director Ryan Coogler’s mandate. She mixed a panoply of tribal influences along with Afropunk for the fictional Wakanda in making a beautiful and positive cultural statement about Africa. And in keeping with the indigenous direction, she stayed true to the authenticity of fabrics in adapting them for a superhero aura.
- 12/20/2018
- by Bill Desowitz
- Indiewire
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