Stevie Wonder wanted to meet Tonto. He had just turned 21, was flush with cash and had all these songs and sounds in his head that he couldn’t get onto tape. A friend had loaned him a copy of an album called Zero Time that had been recorded using the world’s largest, most advanced music synthesizer: Tonto, an acronym for “The Original New Timbral Orchestra.”
The mastermind behind Tonto was an Afro’d, English bassist-turned–studio tech named Malcolm Cecil who lived above a midtown-Manhattan advertising recording studio. ““I...
The mastermind behind Tonto was an Afro’d, English bassist-turned–studio tech named Malcolm Cecil who lived above a midtown-Manhattan advertising recording studio. ““I...
- 11/13/2018
- by Martin Porter and David Goggin
- Rollingstone.com
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