Three years ago, the producer and singer Lorely Rodriguez capped a steady rise to indie pop almost-stardom with Me, her precocious debut album under the moniker Empress Of. Contained and sharp, it layered diary musings over self-produced electronic flair, winning the bilingual performer praise and a guest spot on avant-pop artist Blood Orange’s Freetown Sound. If Me was unrelenting in its depictions of Rodriguez’s innerworkings, her second album, Us, isn’t so much a turn towards extroversion as a scaling back: safer and less urgent, Us often feels...
- 10/25/2018
- by Jackson Howard
- Rollingstone.com
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