In between the release of 2015’s Flatlands, a dark, moody journey through his native Texas panhandle, and this year’s new album The Last American, Ryan Culwell nearly lost his life. Disenfranchised by the touring business and uncertain of his next step as an artist, Culwell took a job trimming trees and, like a scene out of Maximum Overdrive, came face-to-blade with an out-of-control chainsaw.
He realized immediately that he wasn’t cut out for tree work.
Seated in his favorite pupuseria near his home in one of Nashville’s most ethnically diverse neighborhoods,...
He realized immediately that he wasn’t cut out for tree work.
Seated in his favorite pupuseria near his home in one of Nashville’s most ethnically diverse neighborhoods,...
- 10/9/2018
- by Joseph Hudak
- Rollingstone.com
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