Scores on Screen is a column by Clare Nina Norelli on film soundtracks.When French documentarian Alain Resnais was commissioned to produce a short film about the 1945 bombing of Hiroshima, it initially seemed to him an impossible and daunting task. How does one convey onscreen the sheer magnitude of the horrific atomic attack and its devastating effects; how to reproduce on celluloid the ongoing trauma of that fateful August morning as experienced by the Japanese people? Resnais ultimately decided to focus his film on the “impossibility” of talking about, or fully knowing, the tragedy of Hiroshima. Eschewing the documentary form he was familiar with, the director instead embarked on his first narrative film, Hiroshima, mon amour (1959), enlisting the help of the celebrated French writer Marguerite Duras to write the film’s scenario and dialogue. Resnais still retained documentary-style images of the ruins of Hiroshima and the city’s survivors, but...
- 7/9/2018
- MUBI
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