A few years before shooting his first feature, “It’s Impossible to Learn to Plow by Reading Books,” Richard Linklater — “Rick” to his fellow Texans — established a nonprofit organization, the Austin Film Society, to help him screen celluloid prints of movies that wouldn’t otherwise come to town — classics by the likes of Yasujirō Ozu, John Ford and Rainer Werner Fassbinder.
The year was 1985, and cinephilia was on the wane in the Texas capital. But Linklater was itching to make movies — and not the kind that were playing at the local multiplex — and that meant tracking down and watching auteur films for inspiration. And so the Afs was born.
Flash forward three decades, and the Afs now owns and operates its own cinema. It also manages the soundstages at Austin Studios, coordinates after-school and summer media classes for kids, and provides grants to support Texas-based artists “whose work shows promise,...
The year was 1985, and cinephilia was on the wane in the Texas capital. But Linklater was itching to make movies — and not the kind that were playing at the local multiplex — and that meant tracking down and watching auteur films for inspiration. And so the Afs was born.
Flash forward three decades, and the Afs now owns and operates its own cinema. It also manages the soundstages at Austin Studios, coordinates after-school and summer media classes for kids, and provides grants to support Texas-based artists “whose work shows promise,...
- 6/27/2018
- by Peter Debruge
- Variety - Film News
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