French director Philippe Garrel has always only needed the barest means to make movie magic: a beautiful, tragic face, a sad wall to put behind it, a mournful, pensive walk alone on the street. His latest film premiered last year in Cannes at the Directors’ Fortnight; having first shown his work there in 1969 with Le lit de la vierge, Garrel once again proves he is nearly alone in continuing the French New Wave’s revolution of creating celluloid myths from mere bedrooms and cafes. This new film, Lover for a Day is one of his most simple, a lithe, splendid picture dazzling in its clarity, direct emotional resonance and condensed storytelling. The set-up, co-written with Garrel’s partner Caroline Deruas-Garrel and his usual writer Arlette Langmann along with Jean-Claude Carrière, is inspired: A young woman, Jeanne breaks up with her boyfriend and must stay at the flat of his father,...
- 4/24/2018
- MUBI
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