Author: Zehra Phelan
With outings at last year’s London Film Festival and its exultant reception at SXSW, writer/director Alex Taylor’s feature length debut, Spaceship, is obviously very close to his heart. A journey of a neon psychedelic haze of teenage confusion of the unconventional kind, Taylor’s coming of age story kicks the selfie-loving social media crazy teenage population to one side to give those classed as outsiders their time in the spotlight. Along with unicorns and black holes.
Somewhat experimental, the outcry of attention-seeking and a longing to find where these weird cluster of teenagers belong in this world lay heavy on the narrative. It is a fresh, fragmented flurry which flits between a father frantically looking for his missing daughter whilst being sucked into the abyss of her friends’ bizarre, out of this world, mist of delirium. Thrown in for good measure, Taylor uses clips...
With outings at last year’s London Film Festival and its exultant reception at SXSW, writer/director Alex Taylor’s feature length debut, Spaceship, is obviously very close to his heart. A journey of a neon psychedelic haze of teenage confusion of the unconventional kind, Taylor’s coming of age story kicks the selfie-loving social media crazy teenage population to one side to give those classed as outsiders their time in the spotlight. Along with unicorns and black holes.
Somewhat experimental, the outcry of attention-seeking and a longing to find where these weird cluster of teenagers belong in this world lay heavy on the narrative. It is a fresh, fragmented flurry which flits between a father frantically looking for his missing daughter whilst being sucked into the abyss of her friends’ bizarre, out of this world, mist of delirium. Thrown in for good measure, Taylor uses clips...
- 5/18/2017
- by Zehra Phelan
- HeyUGuys.co.uk
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