KuroDear Lawrence,I’ll have to cheat to answer your question, because the one major discovery I made at Sundance didn’t actually play the festival proper. There are a couple titles with a lot of buzz that I won’t be able to catch before taking off tomorrow, like Gillian Robespierre’s Landline and Michael Showalter’s The Big Sick, but it’s hard to imagine that either of those would be as daring or inventive as Joji Koyama and Tojiko Noriko’s Kuro, an experimental narrative film that premiered at Slamdance—the Sundance equivalent of something like the Directors’ Fortnight or Critics' Week. While so much of the dreck here expects nothing of its viewer, Kuro’s Diy varnish and idiosyncratic storytelling is further proof that not every story needs to look, sound or be the same. Kuro treats its viewer as active participants, refusing to conform complacent...
- 1/28/2017
- MUBI
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