Going by reputation, one would imagine Terrence Malick to be an imposing, almost mythic figure – the J.D. Salinger, Thomas Pynchon, or Bill Watterson of cinema – an artist whose personal reclusiveness and daunting legacy have, in tandem, produced a legend and folklore among cineastes and artists around the world. As the 72-year-old filmmaker sidled calmly into the Princeton Garden Theater last Friday evening – balding, grey-haired, dressed in a beige-white suit and keenly observed by an audience of dozens of fans and locals, as well as his wife, Alexandra Wallace – it was hard not to let such lofty expectations instantly disintegrate.
Malick proves incredibly humble and soft-spoken – the embodiment of southern etiquette and decorum. Hearing him speak – only when prompted, slightly stammering, and frequently in the form of intimate personal anecdotes – the reason for his legendary aversion to the public eye is both entirely clear and beautifully simple: he is a shy man,...
Malick proves incredibly humble and soft-spoken – the embodiment of southern etiquette and decorum. Hearing him speak – only when prompted, slightly stammering, and frequently in the form of intimate personal anecdotes – the reason for his legendary aversion to the public eye is both entirely clear and beautifully simple: he is a shy man,...
- 10/25/2016
- by The Film Stage
- The Film Stage
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