Sensory-swooning coming-of-age film is the cinematic equivalent of No-Doz ground up with a bit of LSD, then baked into a birthday cake
The enchanting cinematic debut of Rosemary Myers, a stalwart of local theatre, is a sensory-swooning coming-of-age film. The sort of weirdly alluring experience that zaps viewers wide awake while lulling them into dreamy la-la land: the cinematic equivalent of No-Doz ground up with a bit of LSD, then baked into a birthday cake.
What a fabulous addition to Australian cinema’s expanding arsenal of talent making the jump from stage to screen. Like recent feature film kick-offs from theatre maestros Stephen Page (Spear) and Simon Stone (The Daughter), who you might have expected to hand over dialogue-larded gabfests, Girl Asleep is intoxicatingly cinematic.
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The enchanting cinematic debut of Rosemary Myers, a stalwart of local theatre, is a sensory-swooning coming-of-age film. The sort of weirdly alluring experience that zaps viewers wide awake while lulling them into dreamy la-la land: the cinematic equivalent of No-Doz ground up with a bit of LSD, then baked into a birthday cake.
What a fabulous addition to Australian cinema’s expanding arsenal of talent making the jump from stage to screen. Like recent feature film kick-offs from theatre maestros Stephen Page (Spear) and Simon Stone (The Daughter), who you might have expected to hand over dialogue-larded gabfests, Girl Asleep is intoxicatingly cinematic.
Continue reading...
- 9/9/2016
- by Luke Buckmaster
- The Guardian - Film News
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