There have been several attempts to revisit Robinson Crusoe from the point of view of loyal sidekick Friday, but up until now, no one has tried to tell the story from the perspective of Crusoe’s parrot, dog, and goat. In comes Belgian animation studio NWave Pictures (previously behind Fly Me To The Moon, which depicted the Apollo 11 mission from the perspective of… some houseflies) with The Wild Life, the sort of uninspired international pre-sales item that usually goes straight from a basement booth at the Cannes film market to a Netflix parent’s peripheral vision. The sole interesting thing about NWave’s animation is its use of the camera, which plays to 3-D’s pop-out factor; otherwise, its movies (like Thunder And The House Of Magic and A Turtle’s Tale: Sammy’s Adventures, both directed or co-directed by founder Ben Stassen) are pap, cranked out on an...
- 9/8/2016
- by Ignatiy Vishnevetsky
- avclub.com
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