Argentina’s totalitarian regime of the late 1970s made an invaluable contribution to the lexicon of euphemism by giving us the verb “to disappear,” a graceful way of describing the act of kidnapping and murdering political dissidents. In “The Clan,” based on the true story of a family that ran a lucrative enterprise snatching wealthy people for sizable ransoms during that bleak period, we see that the trickle-down theory applies both to euphemism and to Fascism. In the world of the kidnappers here, hostages are known as “guests” or “company,” and Arquimedes Puccio (Guillermo Francella, “Rudo y Cursi”) is praised for.
- 3/18/2016
- by Alonso Duralde
- The Wrap
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