Serial murder has rarely seemed a more melancholy calling than it does in “The Eyes of My Mother,” a short, decidedly unsweet and wholly startling vision from freshman writer-director Nicolas Pesce. Meshing an especially bloody strain of slasher pic with the most whispery of high-art sensibilities, this tale of a young Portuguese-American woman drawn — by way of misused heritage and scarring personal tragedy — into severely psychotic behavior reps an exquisite waking nightmare, its meticulous monochrome imagery caressing the eye even as the filmmaker brandishes a scalpel before it. A characteristically cold cut from the ever-exciting Borderline Films, this standout from Sundance’s Next program may, with its stretches of silent storytelling and fado-laced soundtrack, be a tad too lyrical for hard-horror fans, but a devoted cult audience awaits an adventurous distributor.
“Never go in the barn,” a woman solemnly warns her child midway through the film. It’s a line...
“Never go in the barn,” a woman solemnly warns her child midway through the film. It’s a line...
- 2/4/2016
- by Guy Lodge
- Variety - Film News
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