Pass the Butter: Decker Cooks Up Female & Peyote Driven Experiment
Serving as a statement more so than a film, Butter on the Latch, tosses away convention and narrative traditions resulting in what can be described as a kooky drug-addled ride that will most likely leave viewers unable to make heads or tails. Much like a dizzying trek through the woods, where coincidentally most of the story takes place, the narrative neglects the use of a compass. Its directionless approach comes off rather frustrating and off putting though there is a rare and uninhibited rawness that gleams every now and then. In her first feature, Josephine Decker, a relatively new filmmaker/artist, chooses to ignore cohesion and consistency in order to provide a sensory abstraction.
In a very Thoreauan gesture, Sarah (Sarah Small) retreats into a the middle of the woods, participating in a Kumbaya-esque camp where the members sing and play in a drum circle,...
Serving as a statement more so than a film, Butter on the Latch, tosses away convention and narrative traditions resulting in what can be described as a kooky drug-addled ride that will most likely leave viewers unable to make heads or tails. Much like a dizzying trek through the woods, where coincidentally most of the story takes place, the narrative neglects the use of a compass. Its directionless approach comes off rather frustrating and off putting though there is a rare and uninhibited rawness that gleams every now and then. In her first feature, Josephine Decker, a relatively new filmmaker/artist, chooses to ignore cohesion and consistency in order to provide a sensory abstraction.
In a very Thoreauan gesture, Sarah (Sarah Small) retreats into a the middle of the woods, participating in a Kumbaya-esque camp where the members sing and play in a drum circle,...
- 11/28/2014
- by Amanda Yam
- IONCINEMA.com
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