Over Your Dead Body
Dear Fern,
Familiar faces. Indeed, it is so very good to see yours, one year later. The steadfastness of friends through this world and in this industry is for me always a surprise, and always touching, especially in light of the mutability of life and cinema.
Familiar faces...Ventura's: that's another story. Seeing this man, this actor, this figure in Horse Money was like happily visiting an aging relative only to discover that across the span of missed time you can see the creeping effects of dementia. (“Blood drips on the floor but you don’t see the razor,” a widow in the film mourning, angrily remarks.) Standing tall as ever and poised with attempted self-control, nonetheless you see Ventura's long fingers tremble, in the darkness a nosferatu wandering a prison-hospital of memories and sins, psychic and bodily pain. The expressionist shroud in which he wanders confounds time,...
Dear Fern,
Familiar faces. Indeed, it is so very good to see yours, one year later. The steadfastness of friends through this world and in this industry is for me always a surprise, and always touching, especially in light of the mutability of life and cinema.
Familiar faces...Ventura's: that's another story. Seeing this man, this actor, this figure in Horse Money was like happily visiting an aging relative only to discover that across the span of missed time you can see the creeping effects of dementia. (“Blood drips on the floor but you don’t see the razor,” a widow in the film mourning, angrily remarks.) Standing tall as ever and poised with attempted self-control, nonetheless you see Ventura's long fingers tremble, in the darkness a nosferatu wandering a prison-hospital of memories and sins, psychic and bodily pain. The expressionist shroud in which he wanders confounds time,...
- 9/8/2014
- by Daniel Kasman
- MUBI
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