Cannes -- This is my third year attending Cannes, and I'm starting to get a sense for what kind of films their programmers are drawn to, which is true of every festival. Sundance has a specific character, SXSW has its identity, Toronto feels like nothing else, and Fantastic Fest is the dangerous, drunken, knife-wielding cousin to all of them. Cannes has a soft spot for a certain kind of social drama and a sort of extreme naturalism. "Hermosa Juventud" is exactly the sort of film I expect to see when I attend this festival, and as such, it's a relatively strong example. Jamie Rosales is the writer/director of the film, and his greatest strength as a filmmaker is how invisible his touch is. The film is fairly delicate. It never goes for the big melodramatic move, even though there's plenty of opportunity. Even the synopsis for the film in...
- 5/20/2014
- by Drew McWeeny
- Hitfix
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