As director David Gordon Green returns to the mind frame of independent cinema with a duo of films like Prince Avalanche and (especially) the soon to be theatrically released Joe, Criterion revamps his 2000 feature debut, George Washington at a time that seems ripe for reexamination both in Gordon’s own eclectic filmography and the American independent film scene at large. Insomuch as snagging a slot in the Criterion lineup with a debut film, Green’s title is a definitive standout (Lena Dunham’s 2010 feature Tiny Furniture also comes immediately to mind), and after almost a decade and half later, we can look back and see a brilliant filmmaker already working a magic rarely seen in the independent realm both then and (even more notably) now.
There is an omnipresent nostalgia to be felt while watching George Washington, whether it be your first viewing or one of several rewatches, as it concerns a group of kids,...
There is an omnipresent nostalgia to be felt while watching George Washington, whether it be your first viewing or one of several rewatches, as it concerns a group of kids,...
- 3/11/2014
- by Nicholas Bell
- IONCINEMA.com
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