Though still on the verge of being Poland's new voice of morality, Wojciech Smarzowski (The Wedding, The Dark House) has undoubtedly found a very convincing way of exposing the country's greatest and most frustrating absurdities. Never far from controversy, Smarzowski's unflinching directorial eye became the key to his huge success. In just four films he established an unmistakable style, which distinguishes him from other modern Polish auteurs. Amid accusations of being inappropriate and plain rude, Smarzowski proved how valuable it is to have one's own sense of self-determination. Even though his films are definitely not to everyone's taste, they're nevertheless works of an individual capable of being a perceptive observer of the world that surrounds him.Ironically, Traffic Department, a picture that ponders a seemingly serious and...
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- 2/26/2014
- Screen Anarchy
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