In Blake Edwards’ Breakfast at Tiffany’s (1961, costume supervisor Edith Head), based on the novella by Truman Capote, we get to know Holly Golightly, a mysterious woman-child with a troubled past who refuses to belong to anyone or anywhere. The film reveals much about Holly’s character through its allusions via costume, attests Lisa Magnuson. Holly is presented as young, frightened and damaged; someone who, like a cat, lashes out when others get too close.
Holly’s iconic Givenchy dress seen in the opening scene with its thick, cumbersome necklace and yoked back, arguably the most famous costume in film history, represents Holly’s current status as a call girl. The dress consumes from neck to floor, its heaviness illustrated literally and in spirit. Holly’s circumstances, we learn later, cause the anxiety-driven “mean reds”, pushing our heroine into a cab to emerge at Tiffany & Co. to window shop with...
Holly’s iconic Givenchy dress seen in the opening scene with its thick, cumbersome necklace and yoked back, arguably the most famous costume in film history, represents Holly’s current status as a call girl. The dress consumes from neck to floor, its heaviness illustrated literally and in spirit. Holly’s circumstances, we learn later, cause the anxiety-driven “mean reds”, pushing our heroine into a cab to emerge at Tiffany & Co. to window shop with...
- 8/10/2012
- by Contributor
- Clothes on Film
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