Rating: 2.5 out of 5 stars
Though Man on a Ledge is certainly a shoo-in for the most unimaginatively to-the-point film title of 2012, this feature debut of Asger Leth invites certain expectations after his 2006 documentary Ghosts of Cité Soleil proved to be an unexpected and hugely affecting treat. Disappointing it is, then, that this slick thriller is also an awkward, oddly lifeless one, directed with a surprising anonymity, which gives it the generic, homogenised feel of a bland yet overproduced TV show you might see on a network like Fox.
The film opens with a man, escaped convict Nick Cassidy (Sam Worthington), climbing out onto the ledge of his hotel room, apparently intent to jump if the police do not bring troubled negotiator Lydia Mercer (Elizabeth Banks) to the scene immediately. Protesting innocence for the crime he was put away for, it soon becomes clear that something else is afoot; his escapade...
Though Man on a Ledge is certainly a shoo-in for the most unimaginatively to-the-point film title of 2012, this feature debut of Asger Leth invites certain expectations after his 2006 documentary Ghosts of Cité Soleil proved to be an unexpected and hugely affecting treat. Disappointing it is, then, that this slick thriller is also an awkward, oddly lifeless one, directed with a surprising anonymity, which gives it the generic, homogenised feel of a bland yet overproduced TV show you might see on a network like Fox.
The film opens with a man, escaped convict Nick Cassidy (Sam Worthington), climbing out onto the ledge of his hotel room, apparently intent to jump if the police do not bring troubled negotiator Lydia Mercer (Elizabeth Banks) to the scene immediately. Protesting innocence for the crime he was put away for, it soon becomes clear that something else is afoot; his escapade...
- 1/25/2012
- by Shaun Munro
- Obsessed with Film
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