'If the Seed Doesn't Die'
When writing a film festival report, the tendency is to focus on the films that have won awards: this was true of my own reports on the Cinema City Iff for the Little White Lies blog and Fedeora (the Federation of Film Critics of Europe and the Mediterranean). Yet the films that don’t win any awards are still worth discussing: in order to have been selected for the festival in the first place, a film must have some merits. And of course, a flawed film often provokes more interesting discussions than a near-perfect one.
As mentioned in my blogs from the festival, Cinema City has three competitive categories. As a member of Fedeora’s jury, I saw all 10 films in the ‘National Class’ category, which is devoted to Serbian cinema. Although Cinema City reserves 10 of its Ibis awards for films in this category, 5 of...
When writing a film festival report, the tendency is to focus on the films that have won awards: this was true of my own reports on the Cinema City Iff for the Little White Lies blog and Fedeora (the Federation of Film Critics of Europe and the Mediterranean). Yet the films that don’t win any awards are still worth discussing: in order to have been selected for the festival in the first place, a film must have some merits. And of course, a flawed film often provokes more interesting discussions than a near-perfect one.
As mentioned in my blogs from the festival, Cinema City has three competitive categories. As a member of Fedeora’s jury, I saw all 10 films in the ‘National Class’ category, which is devoted to Serbian cinema. Although Cinema City reserves 10 of its Ibis awards for films in this category, 5 of...
- 7/14/2011
- by Alison Frank
- The Moving Arts Journal
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