Netflix Boards ‘Lewis Capaldi: How I’m Feeling Now’
Netflix has boarded Lewis Capaldi: How I’m Feeling Now from The Disappearance of Madeleine McCann indie Pulse Films. The Brit Award-winning superstar was followed at a pivotal moment in his career for the doc, as he returned to his Scottish roots to reconnect with his old life having achieved global success. Filmed over several years and directed by BAFTA-winning Bros: After the Screaming Stops helmer Joe Pearlman, How I’m Feeling Now finds the 26-year-old back at his parent’s house in Scotland to begin work on his second album. The film captures Capaldi’s defining year, struggling to balance the familiarity of home, normality, and all he’s ever known, with life as one of the biggest stars on the planet, gleaning an intimate portrait of his unique character, hopes and fears in his own words. Co-financed by BMG and Quickfire,...
Netflix has boarded Lewis Capaldi: How I’m Feeling Now from The Disappearance of Madeleine McCann indie Pulse Films. The Brit Award-winning superstar was followed at a pivotal moment in his career for the doc, as he returned to his Scottish roots to reconnect with his old life having achieved global success. Filmed over several years and directed by BAFTA-winning Bros: After the Screaming Stops helmer Joe Pearlman, How I’m Feeling Now finds the 26-year-old back at his parent’s house in Scotland to begin work on his second album. The film captures Capaldi’s defining year, struggling to balance the familiarity of home, normality, and all he’s ever known, with life as one of the biggest stars on the planet, gleaning an intimate portrait of his unique character, hopes and fears in his own words. Co-financed by BMG and Quickfire,...
- 3/9/2023
- by Jesse Whittock and Max Goldbart
- Deadline Film + TV
20 February 1927 - 6 January 2022
The pioneering film star’s daughter describes a loving father and how her appreciation of his cultural and political significance grew as she did – plus what he taught her about acting
Paula Rego remembered by Lila NunesRead the Observer’s obituaries of 2022 in full
When I first think of my father, I don’t think of an actor or a cultural figure. I think of this playful, goofy man who would sing me and my sister To Bed, To Bed, To Bed, said Sleepyhead, a bedtime song he learned in the Bahamas. Then there was this aeroplane game, where he’d pick us up one at a time, fly us around the house, and at the end, pretend to dunk our heads in the toilet. We’d laugh and scream and he’d hug us tight. That was the heart of who my dad was.
Only in...
The pioneering film star’s daughter describes a loving father and how her appreciation of his cultural and political significance grew as she did – plus what he taught her about acting
Paula Rego remembered by Lila NunesRead the Observer’s obituaries of 2022 in full
When I first think of my father, I don’t think of an actor or a cultural figure. I think of this playful, goofy man who would sing me and my sister To Bed, To Bed, To Bed, said Sleepyhead, a bedtime song he learned in the Bahamas. Then there was this aeroplane game, where he’d pick us up one at a time, fly us around the house, and at the end, pretend to dunk our heads in the toilet. We’d laugh and scream and he’d hug us tight. That was the heart of who my dad was.
Only in...
- 12/11/2022
- by Guardian Staff
- The Guardian - Film News
Portuguese helmer João Pedro Rodrigues returned to Cannes this year with his new film “Will-o’-the-Wisp” (“Fogo Fátuo”), which screened in Directors’ Fortnight and is his first feature since the well-received 2016 madcap journey of self-discovery, “The Ornithologist.”
The film begins in 2069, with Prince Alfredo on his deathbed, who begins to reminisce about his childhood spent in the King’s Pine Grove in Leiria, near Lisbon, which was devastated in the 2017 forest fires. Behind him we see Jose Conrado Roza’s enigmatic 18th century painting “The Wedding Masquerade,” featuring exotic, dwarfish figures with black skin and a character suffering from a skin disease, at a wedding ceremony.
After the forest fire the young Alfredo decides to join the volunteer fire brigade where he falls in love with a Black fireman, Afonso.
Rodrigues calls the film a “musical fantasy.” The homoerotically charged film establishes metaphorical links between the tall erect pine trees and the male member,...
The film begins in 2069, with Prince Alfredo on his deathbed, who begins to reminisce about his childhood spent in the King’s Pine Grove in Leiria, near Lisbon, which was devastated in the 2017 forest fires. Behind him we see Jose Conrado Roza’s enigmatic 18th century painting “The Wedding Masquerade,” featuring exotic, dwarfish figures with black skin and a character suffering from a skin disease, at a wedding ceremony.
After the forest fire the young Alfredo decides to join the volunteer fire brigade where he falls in love with a Black fireman, Afonso.
Rodrigues calls the film a “musical fantasy.” The homoerotically charged film establishes metaphorical links between the tall erect pine trees and the male member,...
- 5/30/2022
- by Martin Dale
- Variety Film + TV
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.