Wayne Wang’s Dim Sum: A Little Bit of Heart, the filmmaker’s follow-up to his existential noir riff Chan Is Missing, again focuses explicitly on the Chinese American community in San Francisco. But where his debut feature found its protagonists constantly scrambling about the city, Dim Sum is set almost exclusively within, or just outside, the domestic space. Echoes of Ozu Yasujirō, specifically Late Spring, ring throughout Wang’s melodrama, whose tender, empathetic, and often funny examination of a loving, codependent mother-daughter relationship is reminiscent of Ryū Chishū and Haru Setsuko’s characters’ in Ozu’s masterwork.
Dim Sum, too, is a film of extended silences and often mundane conversations, and of emotions coursing beneath placid surfaces across settings where old customs collide with new ones. Wang makes evocative use of Ozu’s signature pillow shots throughout, reflecting elements of a Chinese community through shots of Chinatown and its...
Dim Sum, too, is a film of extended silences and often mundane conversations, and of emotions coursing beneath placid surfaces across settings where old customs collide with new ones. Wang makes evocative use of Ozu’s signature pillow shots throughout, reflecting elements of a Chinese community through shots of Chinatown and its...
- 8/17/2023
- by Derek Smith
- Slant Magazine
Following its initial run last May and June, Sentient.Art Film. has revived the series "My Sight is Lined With Visions: 1990s Asian American Film & Video" as a year-long program, helmed by Sentient.Art.Film Artistic Director Keisha Knight and co-curator Abby Sun. The history of Asian American film and video is shaped by what B. Ruby Rich and Brian Hu describe (in Film Quarterly's recent dossier on fifty years of Asian American cinema) as its "public-ness." Through the initiatives of community-based media arts organizations like the Center for Asian American Media and Visual Communications, burgeoning Asian American filmmakers strove to generate cultural consciousness, just as the term "Asian American" entered the national vocabulary. In the "public" tradition of Asian American cinema, and against the limitations imposed by the pandemic, this series challenges barriers of access by making these hard-to-find titles available online. You can rent the entire selection until...
- 1/29/2021
- MUBI
Filmmakers and film subjects who shape the way we see San Diego’s history will stud the exclusive red carpet kicking off the 20th anniversary celebration of Pacific Arts Movement’s San Diego Asian Film Festival. To commemorate this momentous occasion, Pacific Arts Movement will feature the premiere of The Paradise We Are Looking For, the documentary it commissioned to highlight Asian American stories from local neighborhoods in San Diego throughout the decades.
This festival, historically the largest platform of Asian cinema on the west coast, strives to represent the Asian American Pacific Islander (Aapi) community through storytelling. Through the decades, the festival has influenced how Asian and Asian American cinema evolved, and The Paradise We Are Looking For displays the Aapi community’s long-standing presence in San Diego. The documentary’s themes of identity, immigration, inclusion and military presence uncover the relationship between these elements and their lasting impact on Aapi communities.
This festival, historically the largest platform of Asian cinema on the west coast, strives to represent the Asian American Pacific Islander (Aapi) community through storytelling. Through the decades, the festival has influenced how Asian and Asian American cinema evolved, and The Paradise We Are Looking For displays the Aapi community’s long-standing presence in San Diego. The documentary’s themes of identity, immigration, inclusion and military presence uncover the relationship between these elements and their lasting impact on Aapi communities.
- 10/26/2019
- by Rouven Linnarz
- AsianMoviePulse
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