Some 22 projects are receiving support from the Swedish fund.
The new Göteborg Film Fund has confirmed its second round of funding, including its first development grants.
The supported projects include the Iranian-Kurdish thriller Zalava, the feature debut of Arsalan Amiri, which is competing in Venice Critics’ Week; and Ukrainian drama Pamfir, by Dmytro Sukholytkyy-Sobchuk. The latter is now in post and selected for the Venice Gap Financing Market and is about a decent man who gives up his honest job to help his family.
In addition, Oleg Sentsov, who is premiering Rhino in Venice, is receiving development supportt for his fiction film Kai.
The new Göteborg Film Fund has confirmed its second round of funding, including its first development grants.
The supported projects include the Iranian-Kurdish thriller Zalava, the feature debut of Arsalan Amiri, which is competing in Venice Critics’ Week; and Ukrainian drama Pamfir, by Dmytro Sukholytkyy-Sobchuk. The latter is now in post and selected for the Venice Gap Financing Market and is about a decent man who gives up his honest job to help his family.
In addition, Oleg Sentsov, who is premiering Rhino in Venice, is receiving development supportt for his fiction film Kai.
- 9/6/2021
- by Wendy Mitchell
- ScreenDaily
Exclusive: Here’s your first trailer for Iranian drama-horror Zalava, which is playing in the Venice Critics’ Week, the independent and parallel section of the Venice Film Festival.
Set in 1978, the film hones in on the inhabitants of a small village in Iran called Zalava who claim there is a demon among them. Massoud, a young police officer who investigates the claim encounters an exorcist attempting to rid the village of the demon. When he arrests the exorcist on charges of fraud, the villagers revolt and anger escalates. Massoud and his lover, a government doctor, soon find themselves trapped in a cursed house, surrounded by villagers who believe they are both possessed by the demon.
After its Venice berth, the movie will head to TIFF in the midnight Madness section. LevelK is handling international sales.
The Kurdish and Persian language film was directed by Arsalan Amiri from a script by Ida Panahandeh,...
Set in 1978, the film hones in on the inhabitants of a small village in Iran called Zalava who claim there is a demon among them. Massoud, a young police officer who investigates the claim encounters an exorcist attempting to rid the village of the demon. When he arrests the exorcist on charges of fraud, the villagers revolt and anger escalates. Massoud and his lover, a government doctor, soon find themselves trapped in a cursed house, surrounded by villagers who believe they are both possessed by the demon.
After its Venice berth, the movie will head to TIFF in the midnight Madness section. LevelK is handling international sales.
The Kurdish and Persian language film was directed by Arsalan Amiri from a script by Ida Panahandeh,...
- 8/20/2021
- by Andreas Wiseman
- Deadline Film + TV
Arsalan Amiri, who previously served as screenwriter on Titi and Nahid, makes his feature directorial debut with the film.
LevelK has boarded international sales for Iranian drama Zalava, which will screen in Toronto’s Midnight Madness and Venice Critics’ Week.
Arsalan Amiri, who previously served as screenwriter on Titi and Nahid, makes his feature directorial debut with the film. The drama is set in 1978 in a small village called Zavala, where the villagers claim there is a demon amongst them. A young sergeant arrests an exorcist for fraud, causing fear and anger to escalate in the village.
Amiri also writes...
LevelK has boarded international sales for Iranian drama Zalava, which will screen in Toronto’s Midnight Madness and Venice Critics’ Week.
Arsalan Amiri, who previously served as screenwriter on Titi and Nahid, makes his feature directorial debut with the film. The drama is set in 1978 in a small village called Zavala, where the villagers claim there is a demon amongst them. A young sergeant arrests an exorcist for fraud, causing fear and anger to escalate in the village.
Amiri also writes...
- 8/19/2021
- by Wendy Mitchell
- ScreenDaily
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