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In Kurt Weill and Bertolt Brecht’s “Pirate Jenny” from “The Threepenny Opera,” a peasant hotel maid avenges herself for the cruelty she suffers from her fellow townspeople by imagining a pirate ship that sweeps into town, flattening the village and everyone in it. So, of course, the Danish king of saintly put-upon martyrs, Lars von Trier, found this material suitable for making a film every bit as alienating to the audience as the works of Brecht: 2003’s “Dogville.” Von Trier also centered his film around a blockbuster movie star, whose under-a-bell-jar image he set upon to deconstruct: Nicole Kidman.
Freshly off her Best Actress Oscar win for “The Hours” and also out of her messily public but oddly inscrutable divorce from Tom Cruise, Kidman flew to rural Trollhättan in Sweden to get on a soundstage with a truly there-are-no-words-amazing cast: Paul Bettany, Lauren Bacall, Harriet Andersson, Stellan Skarsgård,...
Freshly off her Best Actress Oscar win for “The Hours” and also out of her messily public but oddly inscrutable divorce from Tom Cruise, Kidman flew to rural Trollhättan in Sweden to get on a soundstage with a truly there-are-no-words-amazing cast: Paul Bettany, Lauren Bacall, Harriet Andersson, Stellan Skarsgård,...
- 4/14/2023
- by Ryan Lattanzio
- Indiewire
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