The chic balconies of Marseille certainly offer an image that is photogenic enough to open Noémie Merlant’s sophomore feature, The Balconettes, especially as seen from the meandering perspective of a crane shot. As the camera traces facades and their baby-blue window blinds, we’re perhaps reminded of Rear Window. Yet small figures of women and men try to cope with the heat and we, as spectators, have the privileged viewpoint into their flats. On one of those balconies, a woman is being beaten for what seems to be the thousandth time. But now she fights back. This is only the beginning of a film that will blend comedy and supernatural horror tropes to show the many ways women can look after one another in the face of violence.
The Balconettes is Merlant’s second feature as a director, following several shorts and the 2021 Cannes entry Mi Iubita Mon Amour.
The Balconettes is Merlant’s second feature as a director, following several shorts and the 2021 Cannes entry Mi Iubita Mon Amour.
- 5/26/2024
- by Savina Petkova
- The Film Stage
IndieWire has published its Cannes 2024 Cinematography Survey. We analyzed the data to explore (again and again) that the nine-year-old camera, Arri Alexa Mini, is the most popular camera among Cannes filmmakers. Furthermore, interestingly, in its first appearance on the Cannes Cinematography Chart and jumped straight to second place, is the Arri 35.
The main cameras of Cannes 2024 are the Arri Alexa Mini and the 35. Cannes 2024 cinematography
The 77th annual Cannes Film Festival is taking place from 14 to 25 May 2024. IndieWire has reached out to the filmmakers behind 59 films screened in various categories in the festival. The DPs elaborated on the tools they utilized to tell their stories. Read the entire survey here.
Official poster of the 77th Cannes Film Festival featuring a still image from the movie Rhapsody in August by Akira Kurosawa (1991)
As the tradition calls, we took the data and filtered it to the cameras used, to explore tendency. Based on the info,...
The main cameras of Cannes 2024 are the Arri Alexa Mini and the 35. Cannes 2024 cinematography
The 77th annual Cannes Film Festival is taking place from 14 to 25 May 2024. IndieWire has reached out to the filmmakers behind 59 films screened in various categories in the festival. The DPs elaborated on the tools they utilized to tell their stories. Read the entire survey here.
Official poster of the 77th Cannes Film Festival featuring a still image from the movie Rhapsody in August by Akira Kurosawa (1991)
As the tradition calls, we took the data and filtered it to the cameras used, to explore tendency. Based on the info,...
- 5/21/2024
- by Yossy Mendelovich
- YMCinema
Noemie Merlant, best known beyond France for her performances in Celine Sciamma’s Portrait of a Lady on Fire and Todd Field’s Tár, made her debut as a writer-director-actor a few years back with Mi Iubita, mon amour, which starts with a bachelorette party. Merlant offers up another female-solidarity story in the shape of The Balconettes (Les femmes au balcon), a comedy with a very dark streak or a giggly drama depending on how you look at it.
Given at one point that a writer character in the film rejects the supposed rules of storytelling, which require clear acts and so forth, Merlant obviously knows she’s taking risks with a free-form, genre-bending structure, and that’s cool. It’s just a shame that the end product is so loosey-goosey it’s less a bold sui generis experiment than a hot mess.
Then again, most of the female characters...
Given at one point that a writer character in the film rejects the supposed rules of storytelling, which require clear acts and so forth, Merlant obviously knows she’s taking risks with a free-form, genre-bending structure, and that’s cool. It’s just a shame that the end product is so loosey-goosey it’s less a bold sui generis experiment than a hot mess.
Then again, most of the female characters...
- 5/19/2024
- by Leslie Felperin
- The Hollywood Reporter - Movie News
“A Batalha da Rua Maria Antonia,” directed by Vera Egito, nabbed the main Redentor prize for fiction film at the 2023 Rio de Janeiro International Film Fest which wrapped this year’s edition last weekend, consolidating its position as South America’s largest fest and world’s main showcase of Brazilian productions.
The fest held the world premieres of 40 Brazilian features and four TV series. Its competition, reflecting the country’s production strength, included 54 local features, selected from 318 submissions.
With a series of 21 long takes shot in 16 mm black and white film, “A Batalha da Rua Maria Antonia” (“The Battle”) depicts the true-life 1968 police massacre of Sao Paulo State University Philosophy School’s students who rose up in opposition to the military dictatorship then in place in Brazil.
Carolina Markowicz’s “Toll” scooped both best actress, for Maeve Jinkings, shared with Grace Passo of “O Dia que te conheci,” and actor...
The fest held the world premieres of 40 Brazilian features and four TV series. Its competition, reflecting the country’s production strength, included 54 local features, selected from 318 submissions.
With a series of 21 long takes shot in 16 mm black and white film, “A Batalha da Rua Maria Antonia” (“The Battle”) depicts the true-life 1968 police massacre of Sao Paulo State University Philosophy School’s students who rose up in opposition to the military dictatorship then in place in Brazil.
Carolina Markowicz’s “Toll” scooped both best actress, for Maeve Jinkings, shared with Grace Passo of “O Dia que te conheci,” and actor...
- 10/22/2023
- by Marcelo Cajueiro
- Variety Film + TV
Carolina Markowicz’s Toll earns four awards.
Vera Egito’s The Battle (A Batalha Da Rua Maria Antonia) won best fiction feature in the Première Brasil section at the 25th Rio International Film Festival closing ceremony.
As with most years, the ceremony showcased some of the strongest voices in Brazilian cinema. Unlike previous editions, however, the top winner received its world premiere at the festival and had not already enjoyed successful runs in international festivals like Cannes, Venice or Toronto.
The film’s title refers to Rua Maria Antônia, a street in the centre of Brazilian city São Paulo which...
Vera Egito’s The Battle (A Batalha Da Rua Maria Antonia) won best fiction feature in the Première Brasil section at the 25th Rio International Film Festival closing ceremony.
As with most years, the ceremony showcased some of the strongest voices in Brazilian cinema. Unlike previous editions, however, the top winner received its world premiere at the festival and had not already enjoyed successful runs in international festivals like Cannes, Venice or Toronto.
The film’s title refers to Rua Maria Antônia, a street in the centre of Brazilian city São Paulo which...
- 10/15/2023
- by Elaine Guerini
- ScreenDaily
Carolina Markowicz’s Toll earns four awards.
Vera Egito’s A Batalha da Rua Antônia (translated as The Battle Of Rua Antonia) won best fiction feature in the Première Brasil section at the 25th Rio International Film Festival closing ceremony on Sunday night.
As with most years, the ceremony showcased some of the strongest voices in Brazilian cinema. Unlike previous editions, however, the top winner received its world premiere at the festival and had not already enjoyed successful runs in international festivals like Cannes, Venice or Toronto.
The film’s title refers to Rua Maria Antônia, a street in the...
Vera Egito’s A Batalha da Rua Antônia (translated as The Battle Of Rua Antonia) won best fiction feature in the Première Brasil section at the 25th Rio International Film Festival closing ceremony on Sunday night.
As with most years, the ceremony showcased some of the strongest voices in Brazilian cinema. Unlike previous editions, however, the top winner received its world premiere at the festival and had not already enjoyed successful runs in international festivals like Cannes, Venice or Toronto.
The film’s title refers to Rua Maria Antônia, a street in the...
- 10/15/2023
- by Elaine Guerini
- ScreenDaily
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