Academy Award-winner Cate Blanchett, Emmy-nominated producer Coco Francini of Dirty Films, and Dr. Stacy L. Smith, founder of the Annenberg Inclusion Initiative, announced the 11 recipients of their Proof of Concept Accelerator program, supported by the Netflix Fund for Creative Equity.
“We have been astonished by the artistry of all 1,200 filmmakers who applied to Proof of Concept, which proves that there are so many voices out there who deserve to find their audience. Our final selection represents filmmakers who we felt had the experience and vision to take their careers to the next level and make creative and compelling film and television that may transform the landscape of storytelling. We are grateful to the applicants, our incredible selection committee, and the Netflix Fund for Creative Equity for their unwavering support and guidance as we take another step towards creating an ecosystem that supports inclusion of gender marginalized directors at the highest levels of the entertainment business,...
“We have been astonished by the artistry of all 1,200 filmmakers who applied to Proof of Concept, which proves that there are so many voices out there who deserve to find their audience. Our final selection represents filmmakers who we felt had the experience and vision to take their careers to the next level and make creative and compelling film and television that may transform the landscape of storytelling. We are grateful to the applicants, our incredible selection committee, and the Netflix Fund for Creative Equity for their unwavering support and guidance as we take another step towards creating an ecosystem that supports inclusion of gender marginalized directors at the highest levels of the entertainment business,...
- 5/21/2024
- by Valerie Complex
- Deadline Film + TV
Proof of Concept, an accelerator program supporting women, trans and nonbinary filmmakers founded by Oscar winner Cate Blanchett, producer Coco Francini and Dr. Stacy L. Smith, has set its inaugural class of filmmakers.
Proof of Concept was created after Dirty Films partners Blanchett and Francini met Smith at a Kering Women in Motion talk during last year’s Cannes Film Festival. On Monday, the trio reunited to discuss the progress they’ve made in building the new program, which was announced in December 2023 with the mission to support an inaugural class of 8 emerging filmmakers.
Among the updates shared was that the trio and their all-star selection committee — Chloé Zhao, Emma Corrin, Eva Longoria, Greta Gerwig, Jane Campion, Janicza Bravo, Lily Gladstone and Lilly Wachowski — had made their final selections out of more than 1,200 applications. They also announced that with the support of the Netflix Fund for Creative Equity, the program...
Proof of Concept was created after Dirty Films partners Blanchett and Francini met Smith at a Kering Women in Motion talk during last year’s Cannes Film Festival. On Monday, the trio reunited to discuss the progress they’ve made in building the new program, which was announced in December 2023 with the mission to support an inaugural class of 8 emerging filmmakers.
Among the updates shared was that the trio and their all-star selection committee — Chloé Zhao, Emma Corrin, Eva Longoria, Greta Gerwig, Jane Campion, Janicza Bravo, Lily Gladstone and Lilly Wachowski — had made their final selections out of more than 1,200 applications. They also announced that with the support of the Netflix Fund for Creative Equity, the program...
- 5/21/2024
- by Angelique Jackson
- Variety Film + TV
This isn’t a meteorology blog. We’re under no obligation to inform you that–despite a historically slow ski season start–the snow now falling across Northern Utah’s Wasatch Valley is voluminous and omnipresent. All the better excuse for sequestering oneself inside the weatherproofed walls of Park City’s myriad Sundance screening venues. And whether you’re a Sundance programmer, filmmaker, critic, industry wonk or civilian attendee, one thing is certain: there are currently a lot of granola bars getting smushed in a lot of people’s pockets.
Of course, our favorite among these snowblind wretches are our own Film Independent Fellows proudly debuting their new works at the festival. And by “Fellows” here we of course mean filmmakers who have been directly supported by Film Independent’s Lab Programs, Project Involve, Fast Track and Fiscal Sponsorship programs, as well as Emerging Filmmaker Award winners and grant recipients.
Of course, our favorite among these snowblind wretches are our own Film Independent Fellows proudly debuting their new works at the festival. And by “Fellows” here we of course mean filmmakers who have been directly supported by Film Independent’s Lab Programs, Project Involve, Fast Track and Fiscal Sponsorship programs, as well as Emerging Filmmaker Award winners and grant recipients.
- 1/20/2024
- by Film Independent
- Film Independent News & More
Although landing any Hollywood gig will always be a challenge, those who work as writers assistants and in other support staff roles within the television-writing ecosystem have found this moment particularly dire. The writers strike is over, and rooms for broadcast hits have reopened, but few jobs in this space have surfaced since then, and getting staffed as a scribe — which remains the goal for nearly everyone taking these positions — is tougher than ever before.
“I would never advise someone to be an assistant anymore,” Nate Gualtieri — who worked in support staff roles for five years, including on The Morning Show, before getting staffed as a writer last year on the short-lived Gotham Knights — tells The Hollywood Reporter. “The pay is too low. The hours are too long. It’s too thankless of a job most of the time.”
For decades, the one identifiable stepping stone on the forever-nebulous journey...
“I would never advise someone to be an assistant anymore,” Nate Gualtieri — who worked in support staff roles for five years, including on The Morning Show, before getting staffed as a writer last year on the short-lived Gotham Knights — tells The Hollywood Reporter. “The pay is too low. The hours are too long. It’s too thankless of a job most of the time.”
For decades, the one identifiable stepping stone on the forever-nebulous journey...
- 11/10/2023
- by Ryan Gajewski
- The Hollywood Reporter - Movie News
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