This critic might want to look for a different job.
The prospect of seeing the great Ian McKellen take on the role of one of London’s most august theater critics of the 1930s must have looked tantalizing on paper, but sadly this is a show that deserved to close out of town. Despite a colorful central character who could have knowledgeably and amusingly navigated a cruise through the dynamic theatrical scene close to a century ago, The Critic unaccountably shifts its focus away from McKellen’s Jimmy Erskin, who entertainingly dominates the film at the start, and onto a group of characters who are almost entirely uninteresting; there’s not even much juicy inside stuff about the legit theater at an exciting time for it. Given the setting, period and endless possibilities of the material, this is a major disappointment, a drag of the first order.
The only scenes...
The prospect of seeing the great Ian McKellen take on the role of one of London’s most august theater critics of the 1930s must have looked tantalizing on paper, but sadly this is a show that deserved to close out of town. Despite a colorful central character who could have knowledgeably and amusingly navigated a cruise through the dynamic theatrical scene close to a century ago, The Critic unaccountably shifts its focus away from McKellen’s Jimmy Erskin, who entertainingly dominates the film at the start, and onto a group of characters who are almost entirely uninteresting; there’s not even much juicy inside stuff about the legit theater at an exciting time for it. Given the setting, period and endless possibilities of the material, this is a major disappointment, a drag of the first order.
The only scenes...
- 9/10/2023
- by Todd McCarthy
- Deadline Film + TV
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