Welcome, one and all, to another classic review from your friends here at The Film Stage Show. Today, Michael Snydel, Bill Graham and I are joined by freelance critic Nate Fisher to talk about the Andrei Tarkovsky film Stalker, a classic of science fiction and Russian cinema.
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M4A: The Film Stage Classic – Stalker
The Film Stage is supported by Mubi, a curated online cinema streaming a selection of exceptional independent, classic, and award-winning films from around the world. Each day, Mubi hand-picks a new gem and you have one month to watch it. Try it for free at mubi.com/filmstage.
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Subscribe on iTunes or see below to stream/download. Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor.
M4A: The Film Stage Classic – Stalker
The Film Stage is supported by Mubi, a curated online cinema streaming a selection of exceptional independent, classic, and award-winning films from around the world. Each day, Mubi hand-picks a new gem and you have one month to watch it. Try it for free at mubi.com/filmstage.
Subscribe below:
Support The Film Stage Show on Patreon. E-mail us or follow on Twitter and Facebook with any questions or comments.
- 12/14/2017
- by Brian Roan
- The Film Stage
Welcome to Dark Mood Woods: A Twin Peaks Podcast, in which Managing Editor Nick Newman and contributor Ethan Vestby discuss David Lynch’s return to long-form filmmaking. This summer, join us as we offer insight and knowledge only devoted fans can bring, along with the curiosity of what, exactly, has been happening in the Pacific Northwest these last 25 years.
In this discussion of Episode 16, Nate Fisher joins us to talk the latest hour of Twin Peaks: The Return, including Lynch’s take on fan fulfillment, Diane’s monologue, the return of Cooper, Audrey Horne’s reality, the appearance of Edward Louis Severson, and what we expect in the final two hours.
Subscribe on iTunes, follow on Soundcloud, or see below to stream/download (right-click and save as…).
MP3: Dark Mood Woods: A Twin Peaks Podcast – Episode 16
Subscribe below:
Illustration by artist Ben Holmes.
E-mail us or respond on...
In this discussion of Episode 16, Nate Fisher joins us to talk the latest hour of Twin Peaks: The Return, including Lynch’s take on fan fulfillment, Diane’s monologue, the return of Cooper, Audrey Horne’s reality, the appearance of Edward Louis Severson, and what we expect in the final two hours.
Subscribe on iTunes, follow on Soundcloud, or see below to stream/download (right-click and save as…).
MP3: Dark Mood Woods: A Twin Peaks Podcast – Episode 16
Subscribe below:
Illustration by artist Ben Holmes.
E-mail us or respond on...
- 8/29/2017
- by Ethan Vestby
- The Film Stage
Peter Krause is an American actor that is best known for his role as Nate Fisher in “Six Feet Under.” You may also recognize him from “Sports Night” as Casey McCall or as Nick George on “Dirty Sexy Money. ” He’s also appeared in “The Catch” on ABC. He’s a veteran actor who has had a good run that has kept him in work. Fans of the television sitcom “Cybill” will remember him as Kevin, the son in law of the main character. Although he may not have risen to the status of mega-star, he has a decent following of
Five Things You Didn’t Know About Peter Krause...
Five Things You Didn’t Know About Peter Krause...
- 6/26/2017
- by Nat Berman
- TVovermind.com
It seems Lauren Graham's relationship with Peter Krause was meant to be… at least according to the actress' on-screen mother on Gilmore Girls, Kelly Bishop.
In her new memoir, Talking as Fast as I Can: From Gilmore Girls to Gilmore Girls (and Everything in Between), Graham reveals that Bishop actually suggested that she date Krause before she and her then-future Parenthood co-star even met.
Exclusive: 'Gilmore Girls' Cast Reunites at Netflix Revival Premiere Party, Lauren Graham Gushes 'I'm So Thankful We Made It'
"From the start of the show, Kelly [Bishop] named herself my Tvm, or TV mom, by which she meant she was taking her character's role seriously, beyond the pages or sets and out into the real world … In a maternal, protective way, she found most of my boyfriends at the time lacking, and once told me I needed someone who was more my equal, like 'that wonderful actor on Six Feet Under,'" [link...
In her new memoir, Talking as Fast as I Can: From Gilmore Girls to Gilmore Girls (and Everything in Between), Graham reveals that Bishop actually suggested that she date Krause before she and her then-future Parenthood co-star even met.
Exclusive: 'Gilmore Girls' Cast Reunites at Netflix Revival Premiere Party, Lauren Graham Gushes 'I'm So Thankful We Made It'
"From the start of the show, Kelly [Bishop] named herself my Tvm, or TV mom, by which she meant she was taking her character's role seriously, beyond the pages or sets and out into the real world … In a maternal, protective way, she found most of my boyfriends at the time lacking, and once told me I needed someone who was more my equal, like 'that wonderful actor on Six Feet Under,'" [link...
- 11/30/2016
- Entertainment Tonight
Before Lauren Graham fell in love with her Parenthood costar Peter Krause, her Gilmore Girls TV mom Kelly Bishop suggested she date the actor!
In her new memoir, Talking as Fast as I Can: From Gilmore Girls to Gilmore Girls (and Everything in Between), the actress, who revived her role as Lorelai Gilmore alongside Bishop’s Emily Gilmore in Netflix’s four-part series A Year in the Life, revealed that the Gilmore Girls matriarch suggested Krause for her TV daughter long before the duo began dating.
“From the start of the show Kelly named herself my Tvm, or TV mom,...
In her new memoir, Talking as Fast as I Can: From Gilmore Girls to Gilmore Girls (and Everything in Between), the actress, who revived her role as Lorelai Gilmore alongside Bishop’s Emily Gilmore in Netflix’s four-part series A Year in the Life, revealed that the Gilmore Girls matriarch suggested Krause for her TV daughter long before the duo began dating.
“From the start of the show Kelly named herself my Tvm, or TV mom,...
- 11/29/2016
- by nstonepeople
- PEOPLE.com
It's easy to imagine that, 15 years from now, television audiences will take for granted the existence of groundbreaking series like Orange Is the New Black and Transparent. But it's impossible to look at the currently lush television landscape without acknowledging the debt that most popular shows owe to HBO at the turn of the new millennium.
While network television continued raking in the advertising dollars with surefire bets and lowest-common denominators, the premium cable channel was kickstarting its own quiet revolution, finding success in a variety of genres from pop-cultural...
While network television continued raking in the advertising dollars with surefire bets and lowest-common denominators, the premium cable channel was kickstarting its own quiet revolution, finding success in a variety of genres from pop-cultural...
- 8/20/2015
- Rollingstone.com
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