The coronavirus has made everyone a bit sensitive, with good reason, inspiring memes around such now-sensitive movie titles as delayed 007 entry “No Time to Die” and Emily Ting’s culture-shock indie “Go Back to China.” To this list of inappropriately named movies we might add “Why Don’t You Just Die!” — except that Russian director Kirill Sokolov’s pitch-black horror debut, which nixed its April 10 theatrical plans in favor of a straight-to-streaming option two weeks later, is the kind of deranged Grand Guignol bloodbath that’s wrong in all the right ways. So, in a sense, it fits.
Set almost entirely in a corrupt cop’s Moscow apartment, “Why Don’t You Just Die!” is a neatly conceived dark-comedy chamber piece — à la the Wachowski siblings’ clockwork-perfect queer-noir “Bound” or Sidney Lumet’s airtight but otherwise diabolical “Deathtrap” — in which a simple setup spirals into unimaginably twisted mayhem. A tough, agitated young...
Set almost entirely in a corrupt cop’s Moscow apartment, “Why Don’t You Just Die!” is a neatly conceived dark-comedy chamber piece — à la the Wachowski siblings’ clockwork-perfect queer-noir “Bound” or Sidney Lumet’s airtight but otherwise diabolical “Deathtrap” — in which a simple setup spirals into unimaginably twisted mayhem. A tough, agitated young...
- 4/8/2020
- by Peter Debruge
- Variety Film + TV
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