Focusing on Robert Smithson, Walter De Maria and Michael Heizer, this documentary explores the artists who decided to make huge works in the open air – a modern-day equivalent of Stonehenge
Early in James Crump’s Troublemakers: The Story of Land Art one of his talking-head subjects, Charles Ross, reminisces back to the early 1970s to tell how he picked the location for his site-specific earthwork sculpture Star Axis. When the movie ends we learn that 40 years later, Star Axis is still a work in progress. These people are not fooling around.
Beginning in the late 1960s, a group of artists got the itch to find a larger canvas and sling a little mud at the established gallery structure. Heading west, these likeminded pioneers traded paintbrushes for heavy machinery, creating gashes in the ground, erecting structures and manipulating the very landscape toward their own sometimes difficult-to-define goals.
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Early in James Crump’s Troublemakers: The Story of Land Art one of his talking-head subjects, Charles Ross, reminisces back to the early 1970s to tell how he picked the location for his site-specific earthwork sculpture Star Axis. When the movie ends we learn that 40 years later, Star Axis is still a work in progress. These people are not fooling around.
Beginning in the late 1960s, a group of artists got the itch to find a larger canvas and sling a little mud at the established gallery structure. Heading west, these likeminded pioneers traded paintbrushes for heavy machinery, creating gashes in the ground, erecting structures and manipulating the very landscape toward their own sometimes difficult-to-define goals.
Continue reading...
- 1/8/2016
- by Jordan Hoffman
- The Guardian - Film News
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