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HBO’s “Insecure” has been justly celebrated for its visual style. The show creates a portrait of South LA that is richly textured and eyepoppingly lush, the perfect stage for Issa (Issa Rae), Lawrence (Jay Ellis) and friends to seek out love and happiness while flailing through the awkwardness of dating, having careers, and being alive in the 21st Century. Or simply just being Kelli Prenny (Natasha Rothwell).
Ava Berkofsky, who joined the series as its director of photography in its second season and directed episodes in Seasons 4 and 5, has always paid special attention to the diffusion techniques, reflective lighting, and sumptuous color contrasts that makes the cast look not just good but fine. As the series has gone on, though, Berkofsky has subtly evolved the series’ style to capture where the characters’ find themselves ending up. In this final season of the show, there’s still plenty of awkward...
Ava Berkofsky, who joined the series as its director of photography in its second season and directed episodes in Seasons 4 and 5, has always paid special attention to the diffusion techniques, reflective lighting, and sumptuous color contrasts that makes the cast look not just good but fine. As the series has gone on, though, Berkofsky has subtly evolved the series’ style to capture where the characters’ find themselves ending up. In this final season of the show, there’s still plenty of awkward...
- 8/16/2022
- by Sarah Shachat
- Indiewire
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