Last month, the spread of Covid-19 started to shut down daily activities — everything ranging from mundane commutes to glossy film shoots. “The music industry seemed like the first to respond to that — ‘Oh shit, where are we gonna get content from?'” says Nick Cinelli, a director and animator who works on music videos like Ghostemane’s “Bonesaw” in Los Angeles. “Within three days, I’d gotten calls from six different outlets of music-oriented people: ‘Are you free?’ It was a quick, zeitgeist-y thing. ‘Ok, we need animation now.'...
- 4/10/2020
- by Elias Leight
- Rollingstone.com
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