One of the enduring peculiarities about the so-called Berlin School of contemporary German filmmaking is that, among the various filmmakers who have been associated with the group, the work they produce exhibits great stylistic variety. What seems to unite them, apart from a few biographical particularities, is an intellectual orientation toward filmmaking, an attitude toward structure and representation that nevertheless yields vastly divergent results. For instance, Christophe Hochhäusler and Nicolas Wackerbarth have both been involved in the foundational film magazine Revolver, a publication that displays a specific orientation toward both German and international art cinema—a throughline that runs between the historical materialism of Harun Farocki and Romuald Karmakur and the somewhat more abstract lyricism of Apichatpong Weerasethakul. But a comparison of Hochhäusler and Wackerbarth’s films reveals radically different formal approaches.A Voluntary Year, the recent film collaboration between directors Ulrich Köhler and Henner Winckler, provides a unique case...
- 2/14/2020
- MUBI
Há Terra!I want to apologize for providing this Wavelengths avant-garde preview a little later than I might've liked. Hell, given that it's been over a week since movies died, I'm not exactly sure how much more kindling I can chuck onto the pyre. But I should remark that compared with previous years' iterations of the Tiff Wavelengths series, 2016 does feel a bit...off. I'm chiefly referring to the experimental short films here. (My second part, addressing the Wavelengths features, will be along in a matter of days.) Make no mistake. There's plenty of great work in this year's programs. But I do feel that the disparity this year between the truly exceptional films and the mediocre-to-not-very-good ones is markedly high.I enjoy films, and more than this, I enjoy enjoying them. I hardly get my kicks by being a nattering nabob of negativity. But programmers have to work with what is available to them,...
- 9/13/2016
- MUBI
Nb: Films by Robert Beavers, Peter Hutton, and Luther Price were unavailable for preview. However, I said some very nice things about these men and their work in general over at The Dissolve.
In years past, I have attempted to present this extended article as a preview; my aim has been to send it off into the world either the day before of the day of Tiff's kick-off. That has proven impossible this year, and, dear reader, I am heartily sorry for having offended thee... But the fact that Wavelengths is a beat that is becoming harder and harder for one person to adequately cover is undoubtedly a sign of good health. Since last year, when Tiff enfolded the former Visions section (a space for formally adventurous narrative features) into Wavelengths (Tiff's experimental showcase), not only has interest in the section grown exponentially. The section can now more fully reflect...
In years past, I have attempted to present this extended article as a preview; my aim has been to send it off into the world either the day before of the day of Tiff's kick-off. That has proven impossible this year, and, dear reader, I am heartily sorry for having offended thee... But the fact that Wavelengths is a beat that is becoming harder and harder for one person to adequately cover is undoubtedly a sign of good health. Since last year, when Tiff enfolded the former Visions section (a space for formally adventurous narrative features) into Wavelengths (Tiff's experimental showcase), not only has interest in the section grown exponentially. The section can now more fully reflect...
- 9/9/2013
- by Michael Sicinski
- MUBI
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