Exclusive: Dekanalog has picked up North American rights to the Sundance competition title Mami Wata, the third feature film from Nigerian filmmaker C.J. “Fiery” Obasi.
Based on West African mermaid folklore and mythology, Mami Wata is set in the remote West African village of Iyi, where Mama Efe (Rita Edochie) acts as an intermediary between the people and the all-powerful water deity Mami Wata, the synopsis reads. However, doubt is sown amongst the people when a young boy is lost to a virus, with Efe’s devoted daughter Zinwe (Uzoamaka Aniunoh) and skeptical protégé Prisca (Evelyne Ily Juhen) at a crossroads. The film picked up the Special Jury Award for Best Cinematography at Sundance.
The pic was shot entirely in the Mono Department in Benin, West Africa. The principle cast features Evelyne Ily, Uzoamaka Aniunoh, Kelechi Udegbe, Rita Edochie, and Tough Bone. Further credits include cinematography by Brazillian Dp Lílis Soares,...
Based on West African mermaid folklore and mythology, Mami Wata is set in the remote West African village of Iyi, where Mama Efe (Rita Edochie) acts as an intermediary between the people and the all-powerful water deity Mami Wata, the synopsis reads. However, doubt is sown amongst the people when a young boy is lost to a virus, with Efe’s devoted daughter Zinwe (Uzoamaka Aniunoh) and skeptical protégé Prisca (Evelyne Ily Juhen) at a crossroads. The film picked up the Special Jury Award for Best Cinematography at Sundance.
The pic was shot entirely in the Mono Department in Benin, West Africa. The principle cast features Evelyne Ily, Uzoamaka Aniunoh, Kelechi Udegbe, Rita Edochie, and Tough Bone. Further credits include cinematography by Brazillian Dp Lílis Soares,...
- 5/18/2023
- by Zac Ntim
- Deadline Film + TV
The seaside village of Iyi is the setting for C.J. “Fiery” Obasi’s mythical Mami Wata, which chronicles the fraught relationship between an all-powerful African water deity and the villagers who are currently embroiled in a period of unrest. The widely respected Mama Efe (Rita Edochie) acts as the intermediary between the titular water goddess Mami Wata and the villagers, but the death of a young boy further provokes the villagers toward an act of violence that no entity can control. Editor Nathan Delannoy discusses the process of cutting the gorgeous black and white film, including how he followed his gut […]
The post “This Is Filmmaking as an Artistic and Cultural Necessity”: Editor Nathan Delannoy on Mami Wata first appeared on Filmmaker Magazine.
The post “This Is Filmmaking as an Artistic and Cultural Necessity”: Editor Nathan Delannoy on Mami Wata first appeared on Filmmaker Magazine.
- 2/2/2023
- by Filmmaker Staff
- Filmmaker Magazine - Blog
The seaside village of Iyi is the setting for C.J. “Fiery” Obasi’s mythical Mami Wata, which chronicles the fraught relationship between an all-powerful African water deity and the villagers who are currently embroiled in a period of unrest. The widely respected Mama Efe (Rita Edochie) acts as the intermediary between the titular water goddess Mami Wata and the villagers, but the death of a young boy further provokes the villagers toward an act of violence that no entity can control. Editor Nathan Delannoy discusses the process of cutting the gorgeous black and white film, including how he followed his gut […]
The post “This Is Filmmaking as an Artistic and Cultural Necessity”: Editor Nathan Delannoy on Mami Wata first appeared on Filmmaker Magazine.
The post “This Is Filmmaking as an Artistic and Cultural Necessity”: Editor Nathan Delannoy on Mami Wata first appeared on Filmmaker Magazine.
- 2/2/2023
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
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