(Welcome to My Most Ridiculous Note, a series of interviews in which animators talk about the weirdest and funniest notes they received from studio executives.)
Well folks, this is a special occasion. For a while now, we've been publishing interviews with animators who worked on some of the most beloved cartoons of the '90s and '00s, exploring what went into making those stories stand apart from their contemporaries, from the Christmas episode of "Hey Arnold" to the classic "Nosferatu" joke in "SpongeBob SquarePants."
We've also explored the bizarre, over-the-top notes that studio executives, as well as Standards & Practices folks, have given to animators. There have been stories of ridiculous notes, sensible ones, and everything in between, but this interview series has (understandably so) focused on the side of the animators who try to get their work out and are met with some roadblocks. This time around, however, we're...
Well folks, this is a special occasion. For a while now, we've been publishing interviews with animators who worked on some of the most beloved cartoons of the '90s and '00s, exploring what went into making those stories stand apart from their contemporaries, from the Christmas episode of "Hey Arnold" to the classic "Nosferatu" joke in "SpongeBob SquarePants."
We've also explored the bizarre, over-the-top notes that studio executives, as well as Standards & Practices folks, have given to animators. There have been stories of ridiculous notes, sensible ones, and everything in between, but this interview series has (understandably so) focused on the side of the animators who try to get their work out and are met with some roadblocks. This time around, however, we're...
- 11/21/2022
- by Rafael Motamayor
- Slash Film
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