The third and final installment of HBO true-crime documentary series Murder in Boston: Roots, Rampage, and Reckoning airs Monday night — and, true to the genre, it unravels the facts around the 1989 killing of Carol Stuart with as much information and perspective as is available. But what those behind this hour of television also want viewers to consider is the crime’s less public victims.
For those who’ve yet to tune in to Murder in Boston, it follows the fatal shooting of the pregnant 30-year-old by her husband Charles “Chuck” Stuart. He evaded capture and even suspicion for over two months by claiming a Black man committed the crime, putting the predominantly Black community of Mission Hill through a grueling and misguided police investigation that led to countless Black men being subjected to stop and frisk tactics and the arrest of William Bennett. Even when Bennett’s innocence became apparent,...
For those who’ve yet to tune in to Murder in Boston, it follows the fatal shooting of the pregnant 30-year-old by her husband Charles “Chuck” Stuart. He evaded capture and even suspicion for over two months by claiming a Black man committed the crime, putting the predominantly Black community of Mission Hill through a grueling and misguided police investigation that led to countless Black men being subjected to stop and frisk tactics and the arrest of William Bennett. Even when Bennett’s innocence became apparent,...
- 12/19/2023
- by Mikey O'Connell
- The Hollywood Reporter - Movie News
Plot: In 1977, Daisy Jones & The Six were on top of the world. Fronted by two charismatic lead singers—Daisy Jones (Riley Keough) and Billy Dunne (Sam Claflin)—the band had risen from obscurity to fame. And then, after a sold-out show at Chicago’s Soldier Field, they called it quits. Now, decades later, the band members finally agree to reveal the truth. This is the story of how an iconic band imploded at the height of its powers.
Review: Rock and roll has long been solid material for movies and television series, often in biopics or thinly veiled portrayals of bands who wouldn’t relinquish their rights to a production company. Few productions have captured the unadulterated highs and lows of being in a band quite like Cameron Crowe’s Almost Famous, especially when not featuring a band audiences know by name. Based on Taylor Jenkins Reid’s acclaimed bestselling novel,...
Review: Rock and roll has long been solid material for movies and television series, often in biopics or thinly veiled portrayals of bands who wouldn’t relinquish their rights to a production company. Few productions have captured the unadulterated highs and lows of being in a band quite like Cameron Crowe’s Almost Famous, especially when not featuring a band audiences know by name. Based on Taylor Jenkins Reid’s acclaimed bestselling novel,...
- 3/1/2023
- by Alex Maidy
- JoBlo.com
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