![Margaret Cho](https://m.media-amazon.com/images/M/MV5BZTAxYmU1ODItYWViNC00YWJiLWJiYTEtNzExYTk3MmE4NDZkXkEyXkFqcGdeQXVyNTk0ODYyMTk@._V1_QL75_UX140_CR0,1,140,207_.jpg)
![Margaret Cho](https://m.media-amazon.com/images/M/MV5BZTAxYmU1ODItYWViNC00YWJiLWJiYTEtNzExYTk3MmE4NDZkXkEyXkFqcGdeQXVyNTk0ODYyMTk@._V1_QL75_UX140_CR0,1,140,207_.jpg)
In a career spanning more than two decades, Margaret Cho has endeared herself to so many by saying things you’re not supposed to say. Whether it’s talking openly about experiences with eating disorders, rape, and addiction, calling out Hollywood’s racism, or dispelling myths about bisexual people and other alternative sexualities, Cho’s comedy addresses many different communities that are used to being ignored. Now, as a producer, she’s handing the mic to the next generation of queer kinky Asian-American feminists.
Based on a memoir by Bdsm educator and activist Yin Quan, “Mercy Mistress” follows the character Mistress Yin (Poppy Liu), a queer, first-generation, Chinese-American professional and lifestyle dominatrix working in Manhattan. Each short episode explores the nuanced relationship between Mistress Yin and a new client as she pushes him to merge his kink life with his dating life. Sultry, subtle, and impeccably styled, “Mercy Mistress” is...
Based on a memoir by Bdsm educator and activist Yin Quan, “Mercy Mistress” follows the character Mistress Yin (Poppy Liu), a queer, first-generation, Chinese-American professional and lifestyle dominatrix working in Manhattan. Each short episode explores the nuanced relationship between Mistress Yin and a new client as she pushes him to merge his kink life with his dating life. Sultry, subtle, and impeccably styled, “Mercy Mistress” is...
- 11/20/2018
- by Jude Dry
- Indiewire
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