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Moussa (Sami Bouajila) is an easygoing fella. He’s a go-along-to-get-along, the rug that everyone walks on that really ties the room together. When his large and rambunctious family gathers to bicker and break bread, the twice-divorced father of three will smile when his siblings and adult children hit new decibels arguing in the gladiatorial arena that is the dinner table. If steps into verbal battle, it’s to apologize to or for someone else, and always to lower the stakes.
He’s just that kind of guy – until he’s not. This boisterous Franco-Moroccan clan is thrown for a loop when family rock Moussa suffers a traumatic brain injury, turning him into a wholly different man. Where once he was accommodating, this altered father and brother now suffers no fools. The infirm Moussa now speaks without a filter, calling out the brood that built their own adult lives on his indulgence.
He’s just that kind of guy – until he’s not. This boisterous Franco-Moroccan clan is thrown for a loop when family rock Moussa suffers a traumatic brain injury, turning him into a wholly different man. Where once he was accommodating, this altered father and brother now suffers no fools. The infirm Moussa now speaks without a filter, calling out the brood that built their own adult lives on his indulgence.
- 9/10/2022
- by Ben Croll
- Indiewire
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Of all the immediate familial relationships agonized over in the movies, it’s probably the bonds of siblinghood that remain the least explored. In his sixth film as director, French multihyphenate Roschdy Zem redresses that imbalance just a little, with the charming, unassuming but hardly inconsequential “Our Ties”: a heartfelt and beautifully played burst of bright chatter that doesn’t reinvent the wheel of the domestic drama, but does watch it turn with an unusually compassionate, affectionate eye.
As it opens, Moussa is in the middle of a crisis, not that you’d necessarily know it from the gently perplexed way he is handling his wife Nora’s sudden decision to end their relationship. Nora is in Morocco, where she spends a lot of her time for work, and Moussa, getting nothing but her voicemail, has finally come to the realization that she is serious about their split. Less angry than he is dazed,...
As it opens, Moussa is in the middle of a crisis, not that you’d necessarily know it from the gently perplexed way he is handling his wife Nora’s sudden decision to end their relationship. Nora is in Morocco, where she spends a lot of her time for work, and Moussa, getting nothing but her voicemail, has finally come to the realization that she is serious about their split. Less angry than he is dazed,...
- 9/9/2022
- by Jessica Kiang
- Variety Film + TV
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French-Moroccan actor Roschdy Zem has built up an impressive filmography over the past three decades, with major roles in the police thrillers 36 and Le Petit Lieutenant, the historical epics Days of Glory and Outside the Law, and a Cesar award-winning performance in Arnaud Desplechin’s 2019 cop drama Oh Mercy!
Alongside his acting career, Zem has also created an intriguing body of work as a director, tackling cases of racism in France at both the turn of the century (Chocolat) and in the 1990s (Omar Killed Me), exploring the cutthroat world of weightlifting (Bodybuilder) and delivering a down-and-dirty film noir (Persona Non Grata). Some of the genres are handled better than others, but what his movies tend to have in common is their array of finely tuned performances, including a few by the director himself.
That streak continues with Our Ties (Les Miens...
French-Moroccan actor Roschdy Zem has built up an impressive filmography over the past three decades, with major roles in the police thrillers 36 and Le Petit Lieutenant, the historical epics Days of Glory and Outside the Law, and a Cesar award-winning performance in Arnaud Desplechin’s 2019 cop drama Oh Mercy!
Alongside his acting career, Zem has also created an intriguing body of work as a director, tackling cases of racism in France at both the turn of the century (Chocolat) and in the 1990s (Omar Killed Me), exploring the cutthroat world of weightlifting (Bodybuilder) and delivering a down-and-dirty film noir (Persona Non Grata). Some of the genres are handled better than others, but what his movies tend to have in common is their array of finely tuned performances, including a few by the director himself.
That streak continues with Our Ties (Les Miens...
- 9/9/2022
- by Jordan Mintzer
- The Hollywood Reporter - Movie News
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