The Anchor Bay Entertainment Blu-ray release of director David Mueller's 2011 surfing drama "Beautiful Wave" is now available, starring Aimee Teegarden ("Friday Night Lights").
The 'coming of age story' follows "...one teen’s journey in search of her future, herself and the healing power of a beautiful wave :
"...'Nicole', a shy New York City high school student still mourning the drowning death of her beloved dad, is sent to California to spend the summer with the free-spirited grandmother she barely knows. Now on a quest to Baja Mexico, Nicole will discover friendship, romance, the thrill of surfing, and a link to her late father that could change her life forever."
Also starring are Patricia Richardson ("Home Improvement"), Ben Milliken ("Blue Crush 2'), Alicia Ziegler ('Wildfire') and Lance Henriksen ("Aliens").
Click the images to enlarge and Sneak Peek "Beautiful Wave"...
The 'coming of age story' follows "...one teen’s journey in search of her future, herself and the healing power of a beautiful wave :
"...'Nicole', a shy New York City high school student still mourning the drowning death of her beloved dad, is sent to California to spend the summer with the free-spirited grandmother she barely knows. Now on a quest to Baja Mexico, Nicole will discover friendship, romance, the thrill of surfing, and a link to her late father that could change her life forever."
Also starring are Patricia Richardson ("Home Improvement"), Ben Milliken ("Blue Crush 2'), Alicia Ziegler ('Wildfire') and Lance Henriksen ("Aliens").
Click the images to enlarge and Sneak Peek "Beautiful Wave"...
- 5/16/2012
- by Michael Stevens
- SneakPeek
After Soul Surfer, 2011’s heavy-handed Christian drama about a surfer whose faith carries her from the hospital bed after a shark attack and back into the water proved watchable, a less overbearing film like Beautiful Wave, about a girl coming of age while immersing herself in surf culture, seemed like it might have struck upon the proper mix of saccharine and lighthearted drama. Instead, ironically enough, it lacks soul. David Mueller’s film has nothing to it whatsoever. It’s a bland, flavorless film where everything is so understated as to be ineffectual. The budding romance, the predictable happenstances, and the clumsy “heartfelt” reunion tying it off with a neat little bow arrive on the screen as if according to a checklist of coming of age drama clichés.
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- 5/16/2012
- by Lex Walker
- JustPressPlay.net
Munich Filmfest
MUNICH -- Khashyar Darvich's Dalai Lama Renaissance is less a documentary than an 80-minute paean to the Dalai Lama. It almost certainly will be seen by admirers of his holiness but will never do anything more than preach to the converted.
At film's end, a participant in the conference called by the Dalai Lama says that an astrologer friend of his made a prediction about the powwow: None of the world's problems would be solved, the 40 "top minds" invited to his holiness' residence in Dharmsala, India, would spend five days arguing, then the Dalai Lama would lecture them and set everyone straight.
That astrologer should have been invited to the conference instead of the physicists, biologists, magazine publishers, business consultants and comparative religion professors who came, because he was absolutely right. It's kind of sweet to see this hand-picked lot of 1960s college campus throwbacks with salt-and-pepper hair being so earnest about what they are sure is going to be a conference to change the world.
To Darvich's credit, the film does reveal the human dynamics of how an academic pecking order is established, as the scholars break into discussion groups and the facilitators try to keep things moving on schedule. The interaction of academic and organizational egos, not to mention the comic pliability of the word "compassion" throughout, keeps Renaissance at least mildly entertaining. And, of course, listening to what the Dalai Lama has to say is always a pleasure even for the most cynical atheist.
Nothing profound or even interesting in terms of solving world problems come out of the discussions, despite repeated lectures by his holiness. The much-publicized narration by Harrison Ford is limited to a few sentences that would hardly add up to five minutes if strung together. Perhaps most importantly, the film gives no hint that the conference took place in September 1999. So what we are watching is, to say the least, old news.
DALAI LAMA RENAISSANCE
Wakan Films
Credits:
Screenwriter-director-editor: Khashyar Darvich
Producers: Khashyar Darvich, David Mueller
Directors of photography: Bashir Kevin Cates, Khashyar Darvich, Scott Ewers, Frank Green, David Mueller, Elisabeth M. Spencer, Steve Wilson
Music: Roop Verma, Tashi Dhondup Sharzur, Henry Reid, Michel Tyabji
Narrator: Harrison Ford
Running time -- 80 minutes
No MPAA rating...
MUNICH -- Khashyar Darvich's Dalai Lama Renaissance is less a documentary than an 80-minute paean to the Dalai Lama. It almost certainly will be seen by admirers of his holiness but will never do anything more than preach to the converted.
At film's end, a participant in the conference called by the Dalai Lama says that an astrologer friend of his made a prediction about the powwow: None of the world's problems would be solved, the 40 "top minds" invited to his holiness' residence in Dharmsala, India, would spend five days arguing, then the Dalai Lama would lecture them and set everyone straight.
That astrologer should have been invited to the conference instead of the physicists, biologists, magazine publishers, business consultants and comparative religion professors who came, because he was absolutely right. It's kind of sweet to see this hand-picked lot of 1960s college campus throwbacks with salt-and-pepper hair being so earnest about what they are sure is going to be a conference to change the world.
To Darvich's credit, the film does reveal the human dynamics of how an academic pecking order is established, as the scholars break into discussion groups and the facilitators try to keep things moving on schedule. The interaction of academic and organizational egos, not to mention the comic pliability of the word "compassion" throughout, keeps Renaissance at least mildly entertaining. And, of course, listening to what the Dalai Lama has to say is always a pleasure even for the most cynical atheist.
Nothing profound or even interesting in terms of solving world problems come out of the discussions, despite repeated lectures by his holiness. The much-publicized narration by Harrison Ford is limited to a few sentences that would hardly add up to five minutes if strung together. Perhaps most importantly, the film gives no hint that the conference took place in September 1999. So what we are watching is, to say the least, old news.
DALAI LAMA RENAISSANCE
Wakan Films
Credits:
Screenwriter-director-editor: Khashyar Darvich
Producers: Khashyar Darvich, David Mueller
Directors of photography: Bashir Kevin Cates, Khashyar Darvich, Scott Ewers, Frank Green, David Mueller, Elisabeth M. Spencer, Steve Wilson
Music: Roop Verma, Tashi Dhondup Sharzur, Henry Reid, Michel Tyabji
Narrator: Harrison Ford
Running time -- 80 minutes
No MPAA rating...
- 7/30/2007
- The Hollywood Reporter - Movie News
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