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Illustrations by Maddie Fischer.Throughout the 2024 Cannes Film Festival, we'll be publishing a wide variety of interviews, dispatches, capsules, ballots, and lists. Subscribe to the Weekly Edit newsletter for exclusive contributions from filmmakers, critics, and programmers on the Croisette.Interviews“A Whole World: A Conversation with Andrea Arnold” by Caitlin QuinlanThe Carrosse d’Or–winner describes her raw, lived-in films as cinematic jigsaw puzzles.Dispatches“The Center Will Not Hold” by Leonardo GoiWhile the festival maintained its routine ostrich-like stance, some of the most intriguing films dove right into our troubled times.“Final Warnings” by Daniel KasmanQuentin Dupieux’s latest and Jean-Luc Godard’s last interrogate the death and life of great cinema.“Let There Be Light” by Leonardo GoiBeyond works by established filmmakers, some of the festival’s most singular titles were films from new and emerging voices.Capsules“First Impressions” by Giovanni Marchini Camia, Jordan Cronk, Beatrice Loayza,...
- 5/28/2024
- MUBI
![Steven Spielberg at an event for The 79th Annual Academy Awards (2007)](https://m.media-amazon.com/images/M/MV5BMTY1NjAzNzE1MV5BMl5BanBnXkFtZTYwNTk0ODc0._V1_QL75_UX140_CR0,1,140,207_.jpg)
![Steven Spielberg at an event for The 79th Annual Academy Awards (2007)](https://m.media-amazon.com/images/M/MV5BMTY1NjAzNzE1MV5BMl5BanBnXkFtZTYwNTk0ODc0._V1_QL75_UX140_CR0,1,140,207_.jpg)
At some point in the last few years of compiling The Film Stage’s Weekend Watch column, which seeks to highlight the best in New York’s repertory offerings, we quickly took notice of the Roxy Cinema, a theater based in the lower level of Tribeca’s Roxy Hotel. While the location may not be your normal theatrical venue, their programming leaps off the page: some of the most eminently pleasurable around, driven seemingly by little but the whims and desires of its cinephilic overlords. Where they fulfill their promise is in presentation: this is not a ramshackle operation asking us to sit on folding chairs before a tiny screen displays DVDs or files ripped from torrent networks, but a red-curtained, burgundy-seated single-screen venue with generous concessions and perfectly projected 35mm prints. In the shakiest time for theatrical exhibition we can remember it’s almost too good to be true.
- 12/6/2022
- by Nick Newman
- The Film Stage
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