Friday, August 24
– The Camden International Film Festival has announced the lineup for its 14th edition, including opening-night selection “They’ll Love Me When I’m Dead.” Morgan Neville’s documentary on Orson Welles kicks off the fest, which takes place September 13–16 and concludes with the Us premiere of the sailing drama “Maiden.”
The full slate is comprised of 37 features, 43 shorts, one episodic series, and 20 virtual-reality and immersive experiences; half of the lineup was directed or co-directed by women. Other standouts include Kahlil Hudson and Alex Jablonski’s “Young Men and Fire,” Lana Wilson’s series “The Cure for Fear,” Jane Gillooly’s “Where the Pavement Ends,” “Divide and Conquer: The Story of Roger Ailes,” “What Is Democracy,” “The Truth About Killer Robots,” Locarno winner “Fausto,” and Karlovy Vary winners “Walden” and “Putin’s Witnesses.” Take a look at the full slate at https://pointsnorthinstitute.org.
Wednesday, August 22
– Today Sffilm announced...
– The Camden International Film Festival has announced the lineup for its 14th edition, including opening-night selection “They’ll Love Me When I’m Dead.” Morgan Neville’s documentary on Orson Welles kicks off the fest, which takes place September 13–16 and concludes with the Us premiere of the sailing drama “Maiden.”
The full slate is comprised of 37 features, 43 shorts, one episodic series, and 20 virtual-reality and immersive experiences; half of the lineup was directed or co-directed by women. Other standouts include Kahlil Hudson and Alex Jablonski’s “Young Men and Fire,” Lana Wilson’s series “The Cure for Fear,” Jane Gillooly’s “Where the Pavement Ends,” “Divide and Conquer: The Story of Roger Ailes,” “What Is Democracy,” “The Truth About Killer Robots,” Locarno winner “Fausto,” and Karlovy Vary winners “Walden” and “Putin’s Witnesses.” Take a look at the full slate at https://pointsnorthinstitute.org.
Wednesday, August 22
– Today Sffilm announced...
- 8/24/2018
- by Indiewire Staff
- Indiewire
An unflinching look at people during the final years, or days, of their existence, End of Life captures how our last moments can be filled with wonder, terror, and even bursts of creativity and humor, focusing on several characters who do not wish to go gentle into that good night.
Directed by John Bruce and Pawel Wojtasik, who shot footage for over four years and trained as doulas in order to get as close to their subjects as possible, the experimental documentary is made up of different sequences — many of them shot in uninterrupted takes — where the camera...
Directed by John Bruce and Pawel Wojtasik, who shot footage for over four years and trained as doulas in order to get as close to their subjects as possible, the experimental documentary is made up of different sequences — many of them shot in uninterrupted takes — where the camera...
- 4/6/2018
- by Jordan Mintzer
- The Hollywood Reporter - Movie News
An unflinching look at people during the final years, or days, of their existence, <em>End of Life</em> captures how our last moments can be filled with wonder, terror, and even bursts of creativity and humor, focusing on several characters who do not wish to go gentle into that good night.
Directed by John Bruce and Pawel Wojtasik, who shot footage for over four years and trained as doulas in order to get as close to their subjects as possible, the experimental documentary is made up of different sequences — many of them shot in uninterrupted takes — where the camera remains ...
Directed by John Bruce and Pawel Wojtasik, who shot footage for over four years and trained as doulas in order to get as close to their subjects as possible, the experimental documentary is made up of different sequences — many of them shot in uninterrupted takes — where the camera remains ...
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