As its title suggests, there’s a limited guest list in “The Uninvited,” a keen critique of Hollywood that will play best to the insider set that Rose (Elizabeth Reaser) and Sammy Wright (Walton Goggins) welcome into their gated villa in the hills.
Writer-director Nadia Conners clearly knows of what she speaks when throwing a party meant to impress. It isn’t hard to imagine that the real-life wife of Goggins, whose career has only thrived more as he’s gotten older, has heard something similar to the voicemail left for Rose in the early moments of Conners’ directorial debut. The message informs the actress that she’s now too old to play the mother of a 6-year-old when she’s barely into her 40s. (Never mind that her own son Wilder is around that age.) Yet unlike Conners, no one has probably told Rose that she might make a...
Writer-director Nadia Conners clearly knows of what she speaks when throwing a party meant to impress. It isn’t hard to imagine that the real-life wife of Goggins, whose career has only thrived more as he’s gotten older, has heard something similar to the voicemail left for Rose in the early moments of Conners’ directorial debut. The message informs the actress that she’s now too old to play the mother of a 6-year-old when she’s barely into her 40s. (Never mind that her own son Wilder is around that age.) Yet unlike Conners, no one has probably told Rose that she might make a...
- 3/12/2024
- by Stephen Saito
- Variety Film + TV
The opening moments of writer/director Barnaby Clay’s feature debut, The Seeding, call to mind extreme desert-set horror films like The Hills Have Eyes. A small child toddles through harsh, sandy terrain as he contently gnaws on a severed finger. The camera then watches overhead as a man parks his car and heads out to photograph a solar eclipse overhead, far from the bustling city and oblivious to any danger. It’s here where The Seeding quickly leaves familiar territory behind in favor of psychological arthouse fare.
The man, Wyndham Stone (Scott Haze), nearly makes it back to his car safe and sound until he comes upon a crying boy claiming to be lost. Wyndham knows something is amiss, but his guilt at the possibility of abandoning a child in peril overrides all warning signals. Before he knows it, he’s drawn into the wild and becomes lost himself.
The man, Wyndham Stone (Scott Haze), nearly makes it back to his car safe and sound until he comes upon a crying boy claiming to be lost. Wyndham knows something is amiss, but his guilt at the possibility of abandoning a child in peril overrides all warning signals. Before he knows it, he’s drawn into the wild and becomes lost himself.
- 1/24/2024
- by Meagan Navarro
- bloody-disgusting.com
Reincarnation, artificial consciousness and augmented reality intersect in U.S. director Jake Wachtel’s Cambodia-set “Karmalink,” for which Variety can reveal the first trailer.
The sci-fi mystery will have its world premiere as the opening film of the Venice Film Festival’s Critics’ Week on Sept. 1.
Set in a near-future Phnom Penh, “Karmalink” is about a 13-year-old boy and his street-smart female friend who team up to search for a gold statue from the boy’s past lives, while traveling across town and also back in time.
But what begins as a hunt for a Buddhist treasure soon leads to greater discoveries in the digital realm that could be either enlightening or obliterating.
Wachtel, who grew up in Palo Alto, started developing the film in 2015, while teaching filmmaking in Phnom Penh. He cast two former students as his leads and shot the film on location after living in their community for several years.
The sci-fi mystery will have its world premiere as the opening film of the Venice Film Festival’s Critics’ Week on Sept. 1.
Set in a near-future Phnom Penh, “Karmalink” is about a 13-year-old boy and his street-smart female friend who team up to search for a gold statue from the boy’s past lives, while traveling across town and also back in time.
But what begins as a hunt for a Buddhist treasure soon leads to greater discoveries in the digital realm that could be either enlightening or obliterating.
Wachtel, who grew up in Palo Alto, started developing the film in 2015, while teaching filmmaking in Phnom Penh. He cast two former students as his leads and shot the film on location after living in their community for several years.
- 8/20/2021
- by Nick Vivarelli
- Variety Film + TV
Jake Wachtel makes feature directorial debut on “Buddhist sci-fi mystery”.
XYZ Films and LevelK are joining forces for the first time to work on Cambodian sci-fi feature Karmalink. LevelK will handle international sales while XYZ represents North American rights.
Jake Wachtel makes his feature directorial debut on the film, described as a “Buddhist sci-fi mystery”. The story follows a 13-year-old boy and his detective friend searching for a gold statue from the boy’s past lives, while navigating a high-tech, near-future Cambodia.
Los Angeles-based Valerie Steinberg produces for Valerie Steinberg Productions. Co-producers are Cambodian director-producer Sok Visal of 802 Films, as...
XYZ Films and LevelK are joining forces for the first time to work on Cambodian sci-fi feature Karmalink. LevelK will handle international sales while XYZ represents North American rights.
Jake Wachtel makes his feature directorial debut on the film, described as a “Buddhist sci-fi mystery”. The story follows a 13-year-old boy and his detective friend searching for a gold statue from the boy’s past lives, while navigating a high-tech, near-future Cambodia.
Los Angeles-based Valerie Steinberg produces for Valerie Steinberg Productions. Co-producers are Cambodian director-producer Sok Visal of 802 Films, as...
- 6/3/2021
- by Wendy Mitchell
- ScreenDaily
Ingrid Jungermann, unlike some of her contemporaries, does not balk at being called a lesbian filmmaker. “I think you should demand to be called a queer filmmaker,” she said. “It’s a badge. I think it’s kind of irresponsible when people are like — ‘I wanna be known as just a filmmaker.’ That insinuates you’re not proud.” One look at Jungermann’s already impressive but still fledgling career, and it’s easy to see where her loyalties lie.
Read More‘Women Who Kill’ Tribeca Review: Ingrid Jungermann’s Debut is the Best Lesbian Horror-Comedy Ever
Her breakout web series, “The Slope,” created with Desiree Akhavan while the two were in Ira Sachs’ class at Nyu film school, starred the creators as a content-to-be-bitter lesbian couple who bicker amusingly about everything from co-op etiquette to normative gender roles. After developing a cult following online, Jungermann stepped up her game with her next series,...
Read More‘Women Who Kill’ Tribeca Review: Ingrid Jungermann’s Debut is the Best Lesbian Horror-Comedy Ever
Her breakout web series, “The Slope,” created with Desiree Akhavan while the two were in Ira Sachs’ class at Nyu film school, starred the creators as a content-to-be-bitter lesbian couple who bicker amusingly about everything from co-op etiquette to normative gender roles. After developing a cult following online, Jungermann stepped up her game with her next series,...
- 7/28/2017
- by Jude Dry
- Indiewire
Ioncinema.com’s Ioncinephile of the Month feature focuses on an emerging filmmaker from the world of cinema. This October, we put the spotlight on an indie personality who moonlights as a film critic/writer for the likes of The Village Voice and Filmmaker Magazine and who saw his feature film debut land in 2014 SXSW Film Festival’s Narrative Feature competition. Toplined by John Gallagher Jr. (Short Term 12) and Kate Lyn Sheil (Listen Up Philip) with supporting players in the shape of David Call (Gabriel), Katie Paxton and Louisa Krause (Bluebird), The Heart Machine (October 24th limited release/VOD FilmBuff) is according to the glowing remarks made in the trades with Variety calling it “thoroughly modern without being ostentatious” and THR dissecting it as “a thoughtful, emotionally tricky debut”. This month we profile Zachary Wigon — be sure to check out his top ten films of all time.
Eric Lavallee: During your childhood…...
Eric Lavallee: During your childhood…...
- 10/2/2014
- by Eric Lavallee
- IONCINEMA.com
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