For Benoit Carré, the future revealed itself in six notes. In 2015, Carré, a cerebral, bespectacled songwriter then in his mid-forties, became the artist-in-residence at Sony’s Paris-based Computer Science Laboratory, headed by his friend Francois Paçhet, a composer and leading artificial-intelligence researcher. Paçhet was developing some of the world’s most advanced AI-music composition tools, and wanted to put them to use. The duo’s first released project was the mostly AI-composed Beatles pastiche “Daddy’s Car,” which ended up making worldwide headlines in 2016 as a technological milestone. But Carré was looking for something deeper,...
- 6/28/2023
- by Brian Hiatt
- Rollingstone.com
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