Exclusive: While the film world eagerly awaits the release of Andrew Dominik’s Marilyn Monroe biopic Blonde, scored by Nick Cave and Warren Ellis, we can reveal details about the latest collaboration between the filmmaker and musicians: documentary This Much I Know To Be True.
Oz filmmaker Dominik previously teamed up with Cave and Ellis to powerful effect on the stunning western The Assassination Of Jesse James By The Coward Robert Ford. They followed that up with 2016 music documentary One More Time With Feeling, which premiered at the Venice Film Festival.
This Much I Know To Be True is a companion piece to the latter film, exploring the creative relationship and songs from Cave and Ellis’s last two studio albums, Ghosteen (Nick Cave & the Bad Seeds) and Carnage (Nick Cave & Warren Ellis). Above is a first look image from the film.
Shot on location in London and Brighton last year,...
Oz filmmaker Dominik previously teamed up with Cave and Ellis to powerful effect on the stunning western The Assassination Of Jesse James By The Coward Robert Ford. They followed that up with 2016 music documentary One More Time With Feeling, which premiered at the Venice Film Festival.
This Much I Know To Be True is a companion piece to the latter film, exploring the creative relationship and songs from Cave and Ellis’s last two studio albums, Ghosteen (Nick Cave & the Bad Seeds) and Carnage (Nick Cave & Warren Ellis). Above is a first look image from the film.
Shot on location in London and Brighton last year,...
- 1/14/2022
- by Andreas Wiseman
- Deadline Film + TV
Death is just a thing that happens sometimes. If we’re being completely honest, death is a thing that happens all the time. Now. And now. And in the space between those words. Almost two people die every second of every day, blindly joining hands as they close their eyes and jump into the abyss — quickly now, so as not to hold up the line. Life goes on because not everyone goes with it.
Like a traditional melodrama that’s been thoroughly filleted and then pounded flat, Russell Harbaugh’s raw and exquisite “Love After Love” is a very honest film about how things change when someone is gone, which means that it’s also a film about how they don’t. One moment a bed is full, the next moment the bed is empty; one moment a house is empty, the next moment the house is haunted. Everything is effected,...
Like a traditional melodrama that’s been thoroughly filleted and then pounded flat, Russell Harbaugh’s raw and exquisite “Love After Love” is a very honest film about how things change when someone is gone, which means that it’s also a film about how they don’t. One moment a bed is full, the next moment the bed is empty; one moment a house is empty, the next moment the house is haunted. Everything is effected,...
- 3/28/2018
- by David Ehrlich
- Indiewire
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