Filmmaker last interviewed veteran multimedia artist Cathy Lee Crane about her first feature-length narrative film The Manhattan Front, which combined staged performances and archival footage from the National Archives in DC to present the strange but true entanglement of a WWI German saboteur with the progressive labor movement of activist Elisabeth Gurley Flynn. While Crane’s latest selection of works likewise resurrects buried US history, they tread territory even further back in time, all the way down to the border, and are currently being shown a continent away. Throughout the month of July, the Harun Farocki Institute in Berlin will be showcasing several projects […]
The post “The Story of the Borderlands Is Not Singular”: Cathy Lee Crane on Drawing the Line first appeared on Filmmaker Magazine.
The post “The Story of the Borderlands Is Not Singular”: Cathy Lee Crane on Drawing the Line first appeared on Filmmaker Magazine.
- 7/18/2022
- by Lauren Wissot
- Filmmaker Magazine-Director Interviews
Filmmaker last interviewed veteran multimedia artist Cathy Lee Crane about her first feature-length narrative film The Manhattan Front, which combined staged performances and archival footage from the National Archives in DC to present the strange but true entanglement of a WWI German saboteur with the progressive labor movement of activist Elisabeth Gurley Flynn. While Crane’s latest selection of works likewise resurrects buried US history, they tread territory even further back in time, all the way down to the border, and are currently being shown a continent away. Throughout the month of July, the Harun Farocki Institute in Berlin will be showcasing several projects […]
The post “The Story of the Borderlands Is Not Singular”: Cathy Lee Crane on Drawing the Line first appeared on Filmmaker Magazine.
The post “The Story of the Borderlands Is Not Singular”: Cathy Lee Crane on Drawing the Line first appeared on Filmmaker Magazine.
- 7/18/2022
- by Lauren Wissot
- Filmmaker Magazine - Blog
Developed with the support of a 2013 Guggenheim Creative Arts Fellowship, The Manhattan Front is experimental filmmaker Cathy Lee Crane’s first feature-length narrative film in a career spanning over two decades. True to Crane’s hybrid art film roots, though, The Manhattan Front melds melodramatic acting on silent-film-styled sets with newly digitized archival footage of daily life in New York City and on the front lines during World War 1. Via this unconventional approach Crane presents the true story of how a German saboteur’s plans to prevent American munitions from reaching Britain during a period of official U.S. neutrality became entangled […]...
- 2/11/2018
- by Lauren Wissot
- Filmmaker Magazine - Blog
Montreal’s Festival Du Nouveau Cinema (10.10 – 10.21) announced their line-up today for their 41st edition and among the smorgasbord of subtitle offerings dating back to this year’s Rotterdam, Berlin, Cannes, Locarno, Venice and Tiff editions, we’re knee-deep in avant-garde world cinema from the established auteurs Assayas, Vinterberg, Ozon, Sang-Soo, Joao Pedro Rodriguez, Larrain, Loach, Reygadas, Ghobadi, Mungiu and Miguel Gomes. Heavy on offerings from Quebec and France, the fest also manages to offer a stellar snapshot of the up-and-comers from all corners of the globe. Among the notable titles in the (Competition category) International Selection we’ve got Pablo Berger’s Blancanieves, Ursula Meier’s Sister, Brian M. Cassidy and Melanie Shatzky’s Francine (which received its theatrical release earlier this month) and Rodrigo Plá’s La Demora. Loaded in Cannes items, the Special Presentations is the fest’s A-list selections (see filmmakers named above) and the one pic...
- 9/25/2012
- by Eric Lavallee
- IONCINEMA.com
The 3rd annual Portland Oregon Women’s Film Festival (Pow!) has announced their full festival lineup, which includes 44 films from all over the world. The fest will run March 18-21 at the Hollywood Theatre.
Maybe this year, the Pow! fest will have something extra to celebrate if Kathryn Bigelow wins the Best Directing Academy Award on March 7th. Bigelow is the odds on favorite to take home the Oscar statuette this year for directing The Hurt Locker and, if she does, she’d be the first woman ever to do so. Actually, only four women have ever even been nominated: Bigelow, Lina Wertmuller, Jane Campion and Sofia Coppola.
The lineup below proves that women are a powerful force sitting in the director’s chair and Pow! has assembled an impressive lineup of animated films, shorts, features, documentaries, experimental films and more:
March 18
7:00 p.m.: “Local Shorts”
Nous Deux Encore,...
Maybe this year, the Pow! fest will have something extra to celebrate if Kathryn Bigelow wins the Best Directing Academy Award on March 7th. Bigelow is the odds on favorite to take home the Oscar statuette this year for directing The Hurt Locker and, if she does, she’d be the first woman ever to do so. Actually, only four women have ever even been nominated: Bigelow, Lina Wertmuller, Jane Campion and Sofia Coppola.
The lineup below proves that women are a powerful force sitting in the director’s chair and Pow! has assembled an impressive lineup of animated films, shorts, features, documentaries, experimental films and more:
March 18
7:00 p.m.: “Local Shorts”
Nous Deux Encore,...
- 2/17/2010
- by Mike Everleth
- Underground Film Journal
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